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초록· 키워드
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Kyoungki sori includes the folk songs in the Kyoungki province, popular songs based on the folk songs, and finally Jawchang and Ipchang, Kyoungki Japga. This article has looked into the overall preservation and transmission of Kyunggi sori and modern measures for transmission.
Traditional culture such as Kyoungki sori is not confined to only literature and music. Kyoungki sori is a culture. Therefore, only after the complete consideration of cultural context and transmission environment which encompass Kyoungki sori, measure for its preservation and, furthermore, the measures for transmission which will allow it to be adapted into the new time can be deliberated. Kyoungki sori must be preserved and transmitted because folk songs are the expression tools for promoting the sentiment of the locals; they are used as the music for common people; and the people who enjoy the folk songs are the people who enjoy Kyoungki sori. In school education, the music education should actively accept the regional folk songs and conduct creative education and, for that, there is a need for interaction and support among various parties and organization involved. In addition, there must be efforts to transmit the surrounding cultural context of folk songs for the preservation of intangible cultural assets. Also, attitudes for stage performance rather than exhibition are needed.
Kyoungki japga and popular songs are art songs. Therefore, they must change ceaselessly according to the preference of the people who enjoy them. However, conditional changes might trigger reverse effect, which is why we need to pursue novelty within the boundary of the identity of Korean music.
Kyoungkido is holding Kyoungki Sori Festival in order to promote Kyoungki sori. There are three issues well-deserving our consideration for a successful regional festival. First of all, a festival must be what a festival should be. Festive gaiety and merriment must be present. Second, a festival must be equipped with its identity. Preventing being plunged to be just like any other event-oriented festivals, identity must be secured. Finally, a regional festival must become a voluntary festival of the local people. Securing these three conditions, we will have a successful festival.
People from different social stratum and teams with different ages and characteristics need to participate in the festival. These various people will eventually allow a festival to be the festival of the locals. Especially, in performance contest, we need to draw the group participation of kindergarteners and elementary school, middle school, and high school students as well as inviting the folk song teams from various cities and provinces to perform together.
Traditional culture such as Kyoungki sori is not confined to only literature and music. Kyoungki sori is a culture. Therefore, only after the complete consideration of cultural context and transmission environment which encompass Kyoungki sori, measure for its preservation and, furthermore, the measures for transmission which will allow it to be adapted into the new time can be deliberated. Kyoungki sori must be preserved and transmitted because folk songs are the expression tools for promoting the sentiment of the locals; they are used as the music for common people; and the people who enjoy the folk songs are the people who enjoy Kyoungki sori. In school education, the music education should actively accept the regional folk songs and conduct creative education and, for that, there is a need for interaction and support among various parties and organization involved. In addition, there must be efforts to transmit the surrounding cultural context of folk songs for the preservation of intangible cultural assets. Also, attitudes for stage performance rather than exhibition are needed.
Kyoungki japga and popular songs are art songs. Therefore, they must change ceaselessly according to the preference of the people who enjoy them. However, conditional changes might trigger reverse effect, which is why we need to pursue novelty within the boundary of the identity of Korean music.
Kyoungkido is holding Kyoungki Sori Festival in order to promote Kyoungki sori. There are three issues well-deserving our consideration for a successful regional festival. First of all, a festival must be what a festival should be. Festive gaiety and merriment must be present. Second, a festival must be equipped with its identity. Preventing being plunged to be just like any other event-oriented festivals, identity must be secured. Finally, a regional festival must become a voluntary festival of the local people. Securing these three conditions, we will have a successful festival.
People from different social stratum and teams with different ages and characteristics need to participate in the festival. These various people will eventually allow a festival to be the festival of the locals. Especially, in performance contest, we need to draw the group participation of kindergarteners and elementary school, middle school, and high school students as well as inviting the folk song teams from various cities and provinces to perform together.
목차
Ⅰ. 서론
Ⅱ. 향토민요의 전승 맥락과 보존 방안
Ⅲ. 경기잡가와 통속민요의 전승 맥락과 계승 방안
Ⅳ. 경기소리의 새로운 전승맥락 구축
Ⅴ. 경기소리의 활성화를 위한 경기소리축제 활용 방안
Ⅵ. 결론
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