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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
고려대학교 한국학연구소 한국학연구 한국학연구 제19집
발행연도
2003.11
수록면
245 - 293 (49page)

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초록· 키워드

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Language in lyric poetry is not a simple sign representing a thing or idea. It does not also exist as a sense or thing's signified. It shows self and nature of the world including size and time. In general, using poetic language is based on fine perception, which is a tool for accepting things. Kim Soweol's poems go beyond traditional nature and thus is modernistic.
Poetic language in Jeong Jiyong's poems is more fine than Kim Soweol's poetic language, so that his poetic characteristics can be related to the period that Kim Soweol was in action. As Kim Soweol did, Jeong Jiyong also wrote dialects, foreign language, archaic words, and geographical names in using poetic language. By utilizing potential functions in those languages to all nothing, he tried to accomplish poetic presentation. However, poetic language in Jeong's poems is more modernistic from the point of view that he selected purified poetic language containing poetic sensibility that it is completed by the poet's ability for feeling the moment that it is changed into poetic word.
In literature, mother language is very important because it is only a language controlling the grammar and supplying the general functions in communicative depth and width. The poets in modem times experimented the mother language as a tool for establishing national and cultural basis or horizon and finally opened new area. What is the standard of value that makes language possible to divide into 'everyday language'/'standard language'? Poetic language can be a national poetic language when the depth of time is sensed in poetic language. Kim Soweol accepted tale or legend as a poetic material and so it is natural to be a model for finding out and using aboriginal language. This feature is succeed to Jeong Jiyong's poems and other prominent poets. Therefore it also makes modem poems contain national feeling and poetic universality.

목차

1. 서론
2. 시어의 환경
3. 근대적 자각과 시어
4. 제재와 공간의식
5. 방언과 고유명사의 시어화
6. 결론: 우리 시의 근대성과 근대적 자각
참고 문헌
Abstract

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UCI(KEPA) : I410-ECN-0101-2010-911-002512839