지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
It is well known that Maiakovskii's 〈Vo ves' golos〉 was originally intended as an introduction to a large-scale 'poema' about the First Five-Year Plan. However, the thematics of the text, including the poet's immortality, the relationship of the poet and his poetry, etc., is personal and meta poetic rather than political. Furthermore, several circumstances suggest that it is as such a finished poema which Maiakovskii wanted to be his last work, a 'poem-testament'.
If we accept that 〈Vo ves' golos〉 is a 'poem-testament', i.e. a text standing on the borderline of literature and biography, then in order to fully understand its meaning, we should examine not only those semantically important elements of the text but also the interrelationship between the textual elements and extra-textual elements, more specifically, between the poet and his poetry as they are mentioned in the text and the 'real' poet Maiakovskii and his poetry in life. The aim of this paper is to analyze the 4 lines("But I subdued myself/and trod on my own song's throat/Listen, comrades of posterity,/to an agitator, a stentorian leader") from 〈Vo ves' golos〉 and by doing so to investigate the problem of literature and biography, language and metalanguage, and, further, art and reality in Maiakovskii's poetics in general.
As the analysis of the text shows, the 4 lines sum up Maiakovskii's life-long search for immortality through poeticization of reality. For Maiakovskii, the ultimate target of poeticization is the poet himself, that is, he must be incorporated into the realm of art at the price of hs own life. Here, it goes without saying that the poet's death caused by poeticization is a metaphor, but Maiakovskii pushes the metaphor too far, over the boundary of the literary text. Thus, when he kills himself after writing 〈Vo ves' golos〉, the figurative death in the text is duplicated in reality as the literal death, and the boundary between art and reality is finally removed. In this respect, 〈Vo ves' golos〉 is a piece of 'literatura fakta' where the poetic language becomes its own metalanguage and vice versa.
If we accept that 〈Vo ves' golos〉 is a 'poem-testament', i.e. a text standing on the borderline of literature and biography, then in order to fully understand its meaning, we should examine not only those semantically important elements of the text but also the interrelationship between the textual elements and extra-textual elements, more specifically, between the poet and his poetry as they are mentioned in the text and the 'real' poet Maiakovskii and his poetry in life. The aim of this paper is to analyze the 4 lines("But I subdued myself/and trod on my own song's throat/Listen, comrades of posterity,/to an agitator, a stentorian leader") from 〈Vo ves' golos〉 and by doing so to investigate the problem of literature and biography, language and metalanguage, and, further, art and reality in Maiakovskii's poetics in general.
As the analysis of the text shows, the 4 lines sum up Maiakovskii's life-long search for immortality through poeticization of reality. For Maiakovskii, the ultimate target of poeticization is the poet himself, that is, he must be incorporated into the realm of art at the price of hs own life. Here, it goes without saying that the poet's death caused by poeticization is a metaphor, but Maiakovskii pushes the metaphor too far, over the boundary of the literary text. Thus, when he kills himself after writing 〈Vo ves' golos〉, the figurative death in the text is duplicated in reality as the literal death, and the boundary between art and reality is finally removed. In this respect, 〈Vo ves' golos〉 is a piece of 'literatura fakta' where the poetic language becomes its own metalanguage and vice versa.
목차
등록된 정보가 없습니다.
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
To a Certain Poet
Korea Journal
1972 .01
-
중국 전통소설의 ‘리얼리즘’과 텍스트성에 대한 試論적 고찰
중국문학
2009 .01
-
淸 初期 外藩(tulergi golo) 형성과정과 理藩院
동양사학회 학술대회 발표논문집
2015 .01
-
“VO1+O2”的类型和功能考察
외국학연구
2019 .01
-
述賓短語直接做定語的偏正短語的類型與功能硏究
중국어문학논집
2014 .02
-
시인의 죽음: 푸슈킨과 마야콥스키
러시아어문학연구논집
2013 .01
-
Modern Korean Poets’ Concepts of Poetic Language in an Age of National Crisis 1910-1945 (Ⅱ)
Korea Journal
1990 .01
-
Modern Korean Poets’ Concepts of Poetic Language in an Age of National Crisis 1910-1945(Ⅰ)
Korea Journal
1989 .12
-
시적 은유의 구조 연구 : 초등학교 동시를 중심으로
언어과학연구
2003 .03
-
평양과 기독교
한국기독교와 역사
1999 .04
-
국어 교과서를 활용한 죽음교육 : 죽음 모티프 분석을 통한 교육 방법 모색을 중심으로
국어교육연구
2010 .02
-
시적 형상화 기법에 따른 시 창작 교육 시론(試論)
한국시학연구
2010 .04
-
김수영의 시론과 이미지
국어교육연구
2012 .02
-
크리스티나 로세티와 에밀리 디킨슨의 죽음의 시학 : 삐딱하게 드러나는 여성성의 저항
인문학연구
2015 .12
-
인지언어학적 관점에서의 은유와 은유 번역 분석 : 대통령과 장관 연설문 텍스트를 중심으로
언어학 연구
2015 .10
-
한국시의 이데올로기와 시사적 의의 - 사회주의를 중심으로 -
어문연구
2010 .01
-
기형도 시의 메멘토 모리 양상
열린정신 인문학연구
2016 .04
-
인지언어학적 은유에 입각한 디킨슨의 시 분석
영어영문학연구
2002 .01
-
월트 휘트먼과 죽음 : 「잠자는 사람들」을 중심으로
동서비교문학저널
2008 .06
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-309-018907007