지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
In Dabaodang of Shenmu in Shaanxi Province of China, 14 stone reliefs tombs of Han Dynasty were discovered and construction materials of one stone reliefs tomb of Han Dynasty were collected. These tombs were built around 100CE and 140CE and caught attention of many with coloring and engravings on only the door of chamber of tomb. The common theme of the engravings of door was ascendence to immortality, and there was a tendency to standardize the composition of subject materials. Such trend was most apparent in engravings of door leaf.
Engravings of Door of Han Dynasty tombs of Dabaodang show us what the Middle of Eastern Han Officials thought of roles of "doors." Engravings of Door differ from Eastern Han stone reliefs tombs and shrines from other regions in that its basic themes are stylized animal mask holding a ring in mouth and Red Phoenixes(or the big scarlet birds). In other regions, various engraved subjects in the stone reliefs tomb tend to be used to compose the engravings of door leaf. In contrast, the elements of the engravings of door leaf are limited in Han Dynasty tombs of Dabaodang and shows some standardization in the composition of engraved subjects.
We can see that the tendency to set Four Directional Deities as the main figure of the engravings of door to some degree affected the subject composition of the engravings of door leaf. Such trend is the biggest characteristic of the composition of the engravings of door leaf in Han Dynasty tombs of Dabaodang.
The fact that the Four Directional Deities played a major role in the composition of the engravings of door means that the architects of Han Dynasty tombs of Dabaodang paid special attention to the guarding of the tomb and that such attention was reflected in the subject composition of the engravings of door.
Thus, through such standardized subject compositions, the engravings of door leaf in Han Dynasty tombs of Dabaodang shows the perception that the door is not only the entrance to the separated space of the tomb but also the boundary of the whole interior of the tomb and the tomb itself.
Engravings of Door of Han Dynasty tombs of Dabaodang show us what the Middle of Eastern Han Officials thought of roles of "doors." Engravings of Door differ from Eastern Han stone reliefs tombs and shrines from other regions in that its basic themes are stylized animal mask holding a ring in mouth and Red Phoenixes(or the big scarlet birds). In other regions, various engraved subjects in the stone reliefs tomb tend to be used to compose the engravings of door leaf. In contrast, the elements of the engravings of door leaf are limited in Han Dynasty tombs of Dabaodang and shows some standardization in the composition of engraved subjects.
We can see that the tendency to set Four Directional Deities as the main figure of the engravings of door to some degree affected the subject composition of the engravings of door leaf. Such trend is the biggest characteristic of the composition of the engravings of door leaf in Han Dynasty tombs of Dabaodang.
The fact that the Four Directional Deities played a major role in the composition of the engravings of door means that the architects of Han Dynasty tombs of Dabaodang paid special attention to the guarding of the tomb and that such attention was reflected in the subject composition of the engravings of door.
Thus, through such standardized subject compositions, the engravings of door leaf in Han Dynasty tombs of Dabaodang shows the perception that the door is not only the entrance to the separated space of the tomb but also the boundary of the whole interior of the tomb and the tomb itself.
목차
Ⅰ. 머리말
Ⅱ. 대보당 한화상석묘의 제재와 문비화상
Ⅲ. 문비화상의 제재구성으로 읽는 문의 기능
Ⅳ. 맺음말
【Abstract】
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
中國古代의 守墓制度
동양사학연구
2013 .09
-
평양 지역 고구려 왕릉의 위치와 피장자
한국고대사연구
2017 .12
-
고구려와 백제의 고분문화
고구려발해연구
2005 .09
-
6~7세기 高句麗왕릉과 百濟·新羅왕릉의 구조 비교
고구려발해연구
2008 .03
-
대구 달성고분군의 편년과 성격
야외고고학
2020 .01
-
영산강유역 원형분의 출현 배경과 의미
야외고고학
2018 .01
-
南韓內高句麗古墳의 檢討
고구려발해연구
2009 .11
-
高句麗 壁畵와 甘肅省 魏晋時期(敦煌 包含) 壁畵 比較 硏究
고구려발해연구
2003 .12
-
고립정책과 간섭정책의 이중주 : 조일수호조규에 대한 영국의 인식과 대응
역사비평
2016 .02
-
신라 전기 적석목곽분의 묘형과 집단복합묘군의 성격
헤리티지:역사와 과학
2017 .01
-
조선시대 횡혈묘의 출현과 구조
울산사학
2016 .12
-
고구려 적석총의 被葬者에 관한 재검토
한국사연구
2008 .12
-
울산지역 5~6세기 목곽묘에 대하여
울산사학
2014 .12
-
연접묘를 통해 본 고구려 적석총의 전개 과정
중앙고고연구
2020 .01
-
고구려 무용총 편년의 재검토
고구려발해연구
2009 .07
-
集安지역 高句麗 王陵의 造營
고구려발해연구
2008 .07
-
일제강점기공주 송산리고분의 조사
중앙고고연구
2012 .01
-
고구려 왕릉급 대형적석총의 型式과 編年
한국사학보
2009 .05
-
울산지역 삼국시대 유·소아묘에 대한 검토 - 김해 예안리고분군 유·소아묘의 사례를 기준으로 -
고고광장
2011 .01
-
遼東地方의 '大石蓋墓에 대한 검토
고조선단군학
2011 .05
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-911-018901572