지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The ST members' events were the most prominant performance art in the seventies and they replaced the happenings from the mid-1970's. The origin of their events was Fluxus events where Japanese artists participated from the late fifties in New York.
Event was initiated by Lee Keonyoung in 1975, and the process of his first works was logical and clear but the content, ambiguous and abstract. He was influenced by the Japanese events, Jackson Pollock's action paintings, and Lee Ufan. Lee Keonyoung performed many events, and became the forerunner of the field. He called his works 'event-logical' and believed that he could contact the world spirit through his body-conscious events. Though his purpose was rather esoteric, the action itself was simple and sophisticated enough to attract the audience.
The other important event artists were Kim Yongmin, Sung Neunggyung, Jangsokwon, and Yunjinsop. Kim started events in 1975 and unlike Lee, he dealt with ordinary activities such as removing water from wet cloth or drawing and erasing lines. His best works revealed the purity or gratuitousness of action. Sung' s events were very short and ironic and he was interested in social problems. He also used his body as a means to reach the world but whether he achieved his goal or not is not certain. Jang and Yun are younger than the rest. Jang did meditative and guiet works and Yun's works were light and gay and he emphasized audience participation.
Events of these ST members were the most important part of their group activities and also were the main genre of their exhibitions which lasted for 10 years. They reflected the philosophy of Lee Ufan, who influenced 70's Korean art a great deal in every media. All in all, ST events were the products of specific tendencies of 70's Korean art that were self-consciouly responding and reacting to foreign influences. But events did not last long enough, and more inclusive and diverse performance arts were practiced in the 80's. In sum, ST members' events were the unigue performance art in the seventies.
Event was initiated by Lee Keonyoung in 1975, and the process of his first works was logical and clear but the content, ambiguous and abstract. He was influenced by the Japanese events, Jackson Pollock's action paintings, and Lee Ufan. Lee Keonyoung performed many events, and became the forerunner of the field. He called his works 'event-logical' and believed that he could contact the world spirit through his body-conscious events. Though his purpose was rather esoteric, the action itself was simple and sophisticated enough to attract the audience.
The other important event artists were Kim Yongmin, Sung Neunggyung, Jangsokwon, and Yunjinsop. Kim started events in 1975 and unlike Lee, he dealt with ordinary activities such as removing water from wet cloth or drawing and erasing lines. His best works revealed the purity or gratuitousness of action. Sung' s events were very short and ironic and he was interested in social problems. He also used his body as a means to reach the world but whether he achieved his goal or not is not certain. Jang and Yun are younger than the rest. Jang did meditative and guiet works and Yun's works were light and gay and he emphasized audience participation.
Events of these ST members were the most important part of their group activities and also were the main genre of their exhibitions which lasted for 10 years. They reflected the philosophy of Lee Ufan, who influenced 70's Korean art a great deal in every media. All in all, ST events were the products of specific tendencies of 70's Korean art that were self-consciouly responding and reacting to foreign influences. But events did not last long enough, and more inclusive and diverse performance arts were practiced in the 80's. In sum, ST members' events were the unigue performance art in the seventies.
목차
Ⅰ. 들어가는 말
Ⅱ. 이벤트의 시원
Ⅲ. ST 멤버의 이벤트
Ⅳ. 결론
Abstract
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