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자료유형
학술저널
저자정보
저널정보
동아인문학회 동아인문학 東亞人文學 第15輯
발행연도
2009.6
수록면
377 - 408 (32page)

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The article is about "Chinese monosyllabic stem" along with central thoughts of "Simplicity is the ultimate sophistication". The author deeply researched on the Chinese monosyllabic morpheme by used stem's capability in word-formation to explore the Chinese monosyllabic stem's flexibility, deductive features and interpretation of social and cultural structure changes.
The article explained the Chinese lexicon would continually develop and change with characteristics of the times, culture accumulation; it is the mentality and logic of the Han nationality. "Stem" is the basic meaning of the lexicon, stem morpheme really have a certain significance, together with other morpheme constitutes a compound word (phrase) which also contained its main meaning of the Lexicon.
Language is the carrier of history and culture, it stored and mapping a long historical development in the process of creation, all kinds of cultural knowledge accumulated of a nation. Looking at the Chinese lexicon development trend is: On-going neologism creation; word-formation gradually complete; Disyllabic trend more conspicuous. This demonstrated that the Chinese monosyllabic stem is the foundation of Chinese Language neologism, which is the ever-changing conform to social and cultural diversity and the evolution of changing. This article continuing the fundamental logic of Monosyllabic stem on calligraphy and Pressed-flowers art creation. From a simple line as the beginning of the artistic spirit, and open to the vivid landscape paintings with the metamorphosis forms of the realm of large pieces of scenery, all the development reflected back to the "Simplicity is the ultimate sophistication".
The rule of changing is sourced from "isolated" nature of the complex and sophisticated derivatives. The core of article addressed the Word Family are created from the most primitive, basic, fundamental spirit of the simplest "Chinese monosyllabic stem", and extended and throughout continually with no limitation. The law of changing is rather seemingly dramatic and spontaneous and yet under an elusive deterministic order which all sourced from "Chinese monosyllabic stem" theory.

목차

Ⅰ. 前言
Ⅱ. 詞根理論與演繹
Ⅲ. 詞彙結構演變與社會變遷
Ⅳ. 詞根槪念對應藝術創作思維
Ⅴ. 餘論
【參考文獻】
〈Abstract〉

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UCI(KEPA) : I410-ECN-0101-2009-001-018640382