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커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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In the mid-1980s which was called the age of poetry, I published the Spiritual History of Modem Poetry(Yoleumsa, 1985). In the book published at the time when the people's poetry of realism was prevalent, I maintained the necessity of describing the history of Modern Korean poetry in perspective of spiritualism. It seemed necessary to reflectively discuss the radical ideology of realistic poetry. At the same time I thought we should establish an independent poetics by developing literary logic of our own. I realized that the eastern humanistic thought is a fundamental presupposition for an indedpendent poetics.
Around the mid-1980, the deconstructive poetry of post-modernism appeared almost at the same time the people's poetry of realism disappeared from the center of the literary circle. I emphasized the importance of spiritualism through "Lyric Poetry and the Spiritual Conquest"(Modem Poetics. March, 1990), on the judgment that the deconstructive poetry is 'self-destructive poetry', which became popular by being created just in the place where the western reason was collapsed. It seems to be around this time that the term 'spiritualism' began to be discussed in the literary circle.
Deconstructionism which was popular in our literary circle in the 1990s derived from the avant-garde impulse to pursue something new. We cannot remind the old poet Lee Sang in the literary history. That is the destiny for the deconstructists. The deconstructists will finally end in a self-destruction, coming to an impasse, if a pattern of a series of denial is formed incessantly, making one deconstruction bring about another deconstruction. In the 20th century Modem Korean poetry, we found many deconstructive poems which took the lead of popularity in the poetry circle or took advantage of the popularity. At the same time, not a few people's poems which turned away from the reality of the people disappeared in the darkness.
It is not the core of our discussion to make a definition of the people's poetry or deconstructive poetry, or that of spriritualism. The point is whether it is a genuine poetry in which to include the living human life or not. The most important thing is the human spirit breathing a life. It is not easy that poetry written in the ways and on the theory which was borrowed from outside takes a solid root in our literary world. It only repeats the wave of popularity passing by after staying for a moment, if poetry has to be changed again before taking a deep root in our literary world
The destructive passion which drives deconstructive poetry may seem to be a progressive passion of the young generation trying to deny the existing systems and customs. In this respect, deconstructive poetry and spiritual poetry are not mutually exclusive propositions. Mutual survival rather than mutual antipathy must be emphasized.
Around the mid-1980, the deconstructive poetry of post-modernism appeared almost at the same time the people's poetry of realism disappeared from the center of the literary circle. I emphasized the importance of spiritualism through "Lyric Poetry and the Spiritual Conquest"(Modem Poetics. March, 1990), on the judgment that the deconstructive poetry is 'self-destructive poetry', which became popular by being created just in the place where the western reason was collapsed. It seems to be around this time that the term 'spiritualism' began to be discussed in the literary circle.
Deconstructionism which was popular in our literary circle in the 1990s derived from the avant-garde impulse to pursue something new. We cannot remind the old poet Lee Sang in the literary history. That is the destiny for the deconstructists. The deconstructists will finally end in a self-destruction, coming to an impasse, if a pattern of a series of denial is formed incessantly, making one deconstruction bring about another deconstruction. In the 20th century Modem Korean poetry, we found many deconstructive poems which took the lead of popularity in the poetry circle or took advantage of the popularity. At the same time, not a few people's poems which turned away from the reality of the people disappeared in the darkness.
It is not the core of our discussion to make a definition of the people's poetry or deconstructive poetry, or that of spriritualism. The point is whether it is a genuine poetry in which to include the living human life or not. The most important thing is the human spirit breathing a life. It is not easy that poetry written in the ways and on the theory which was borrowed from outside takes a solid root in our literary world. It only repeats the wave of popularity passing by after staying for a moment, if poetry has to be changed again before taking a deep root in our literary world
The destructive passion which drives deconstructive poetry may seem to be a progressive passion of the young generation trying to deny the existing systems and customs. In this respect, deconstructive poetry and spiritual poetry are not mutually exclusive propositions. Mutual survival rather than mutual antipathy must be emphasized.
목차
1. 정신주의의 출발
2. 정신주의 시와 해체시
3. 정신주의와 좋은 시
4. 시대를 넘어서는 정신주의
【참고문헌】
【Abstract】
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