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This thesis aims to see how the poetry veered or tried to veer from the norm both in Occident and Orient, considering the origin and development of Ci in China and also Lamartine's use of various types of strophes in France.
The poems of French Romanticism shows much difference from the previous ones. It seems that since it was difficult to deliver their sensibility, emotions and individuality by using the prosody that became a norm in the age of Classicism, the age based on Reason, Propriety, and Universality, the poets of Romanticism attempted to get away from the frame of traditional prosody. This attempt had a great influence on the development of French poetry since then.
In China, in Tang dynasty, when the poetry handed down from Shi Jing became an extreme norm with the then modern poetry, there arose a newer form of poetry, Ci, and when Ci came to be a norm in its turn, Qu took place. In short, the poetry of China get away from the norm, not by changing the form of poetry but by using a new kind of verse. We can say from this that the attempt to fly from the norm is common to China and France in spite of the geographical, cultural and temporal differences.
The poems of French Romanticism shows much difference from the previous ones. It seems that since it was difficult to deliver their sensibility, emotions and individuality by using the prosody that became a norm in the age of Classicism, the age based on Reason, Propriety, and Universality, the poets of Romanticism attempted to get away from the frame of traditional prosody. This attempt had a great influence on the development of French poetry since then.
In China, in Tang dynasty, when the poetry handed down from Shi Jing became an extreme norm with the then modern poetry, there arose a newer form of poetry, Ci, and when Ci came to be a norm in its turn, Qu took place. In short, the poetry of China get away from the norm, not by changing the form of poetry but by using a new kind of verse. We can say from this that the attempt to fly from the norm is common to China and France in spite of the geographical, cultural and temporal differences.
목차
1. 들어가는 말
2. 중국
3. 프랑스
4. 맺는말
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《Abstract》
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