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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국시학회 한국시학연구 한국시학연구 제23호
발행연도
2008.12
수록면
291 - 317 (27page)

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초록· 키워드

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Generally, lyric poems support or protect small and humble things more than brilliant and great things. And this result stem partly from a sense of alienation or loss that he has felt in the process of growth and daily life. Especially it isn't disconnected with fragmented modern society and condition of life that poems of today are based on minor details or solitary experience. However, more fundamental cause to song such things is because of basic self-estrangement or solitude which cannot be solved by logic or reason as a being. Also, fundamental emptiness or deficiency of a person which cannot be filled with ideology or moral principle makes poets themselves peripheral beings. And they raise a question about conditions of human beings themselves inseparable from peripheral beings.
That is, the fact that one cannot communicate with one another or the peripheral world surrounding himself, makes poets pursue a certain meeting with some reality sincerely. Commonly identified in most poems, an individual's deep scar or pain, waiting or longing are an effort to overcome such a gap and void. It's the poets that want to have nostalgia of human nature for happy and perfect being as an organized body before having been abstracted by language. That is to say, the poetic peripheral refers to an exceptional event or a surplus phenomenon which cannot be understood or solved by a logic or ideology in the nature, society or history. Also, creation of poems is still uncontrollable and it is one of motions which communicate with the internal of a human being that cannot be substantialized. Something refusing to enter the symbolic world from the outside a center or system, namely, an exception and singularity that poets frequently note are the poetic periphery.
Accordingly, the poet's action to regain cosmic rhythm momently and temporarily is not never peripheral. Normally, poetic language which have been regarded as a powerless and worthless thing, is closely linked with the divided gap of universality that have controled and restricted all human beings' action, namely, is connected with a point of exception that the effect of universality has been rejected and has been canceled. Therefore, the peripheral as poets' common interests in all ages, are closely connected with realizing their special position as the peripheral being of universe, and at the same time, it's also connected with 'the moment of decision' when they have to break up with their life style and way of thinking that have dominated them. Poetic catastrophe and shock which suddenly come and destroy ordinary order and rhythm, lead to the realization of individuality and particularity that cannot be captured by any universality, and they make their position to the center. Anyway the will and endeavor to make poets exceptional beings of their period and history are not just escape or helplessness, but they are a motion to stand as a awakened being about themselves and the world around them.

목차

Ⅰ. 서론 : 주변자로서 시인과 인간 본연의 향수
Ⅱ. 소문자로서 기억과 시적 진실
Ⅲ. 자기애적 환상과 자기의식 상실로서의 시
Ⅳ. 중심의 부정과 본래적 자기 가능성 타진
Ⅴ. 결론 : 예외적 순간으로서 시와 삶의 중심성 회복
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