지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
Although Middleton's A Clast Maid in Cheapside certainly provides great amusement with its hilariously unchaste dramatic incidents, the play satirizes social follies and city realities of the Jacobean era. The play is indeed obscene, but it has something that goes beyond the superficial licentious incidents of the play. Much of the play's power derives from its basis in New Comedy and underlying currents that connect it with the mythical and ritual roots of comedy.
Thomas Middleton, in A Chaste Maid in Cheapside, follows the typical conventions of New Comedy. In tragedy intrigues often become the accelerator of tragic catastrophes, but in comedy they work as crucial keys to solve problems. In A Chaste Maid in Cheapside, death becomes the most important intrigue for the healthy marriage of Moll and Touchwood Jr. Yellowhammer and Sir Walter Whorehound, the old oppressors of the young couple, have the image of death gods. The young couple's wedding, which is achieved after deceiving these death gods, promises rich fertility which is one of the key concepts of New Comedy.
Although Touchwood Jr. and Moll's marriage is proper morally and eugenically, they need to recover their social honor for justifying their intrigue and for achieving the perfect comic ending. In the last scene, Moll and Touchwood Jr.'s marriage acquires social respectability. Society accepts their marriage and promises their prosperity which is another key idea of New Comedy.
Thomas Middleton, in A Chaste Maid in Cheapside, follows the typical conventions of New Comedy. In tragedy intrigues often become the accelerator of tragic catastrophes, but in comedy they work as crucial keys to solve problems. In A Chaste Maid in Cheapside, death becomes the most important intrigue for the healthy marriage of Moll and Touchwood Jr. Yellowhammer and Sir Walter Whorehound, the old oppressors of the young couple, have the image of death gods. The young couple's wedding, which is achieved after deceiving these death gods, promises rich fertility which is one of the key concepts of New Comedy.
Although Touchwood Jr. and Moll's marriage is proper morally and eugenically, they need to recover their social honor for justifying their intrigue and for achieving the perfect comic ending. In the last scene, Moll and Touchwood Jr.'s marriage acquires social respectability. Society accepts their marriage and promises their prosperity which is another key idea of New Comedy.
목차
등록된 정보가 없습니다.
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
풍요에 대한 두 가지 양상 : 자코비안 도시희극에 재현된 결혼과 성적 거래의 사회적 수용양식 -토마스미들톤의 『칩사이드의 요조숙녀』
새한영어영문학
2009 .02
-
풍요에 대한 두 가지 양상 : 물질적 욕망에 대한 쟈코비안 도시희극적 해석-토마스 미들톤의 『칩사이드의 요조숙녀』
새한영어영문학회 학술발표회 논문집
2006 .05
-
The Economy of the Grotesque Body in A Chaste Maid in Cheapside
영미문학페미니즘
2000 .01
-
Trading women : The Semantic Universe of Women in A Chaste Maid in Cheapside
새한영어영문학
1996 .02
-
북한 경희극 연구
한국민족문화
2007 .04
-
The Comedy of Errors : 이중 구조와 Identity
코기토
1995 .12
-
조선 전기 패설 연구의 성과와 방향
동방한문학
2019 .01
-
Н. 디야코노프의 스탈린상 수상 희극 『결혼지참금』연구 : 제2차 세계대전 후 소련 희극의 문제
러시아어문학연구논집
2018 .01
-
Pastoral Comedy의 관점에서 본 As You Like It
Shakespeare Review
1994 .06
-
라디오 코미디 방송극의 형성과 변천
어문론집
2012 .09
-
‘웃음희극’: 『그녀는 정복하기 위해 굴복한다』의 위트와 익살
신영어영문학
2010 .02
-
Village Moon : A Comedy in One Act
Korea Journal
1983 .12
-
이중구조의 희극 - 『착오희극』의 경우
Shakespeare Review
2000 .03
-
사랑의 희극(Comedy)적 의미
복음과 실천
2003 .05
-
종교극의 세속화: 『제 2 목동극』에서 『췹사이드의 순결한 처녀』로
고전 르네상스 영문학
2004 .01
-
Performances of Shakespeare's Comedies and History in Korea: 1991-1997
Shakespeare Review
1997 .12
-
『로미오와 줄리엣』에서의 장르 전환의 효과
Shakespeare Review
2004 .12
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0