지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
What do the interrelative terms like N-Generation, image, and identity mean? The purpose of this thesis is to clarify the ideological meaning of these important concepts. To read the image culture of N-Generation, it is meaningful to examine the colour determining the image style of N-Generation. The colour, one of those various styles, is to understand the relations between N-Generation and image, the stylized characters of N-Generation, and their identity. Therefore, I will look about the colour that N-Generation is producting and consuming. Through this discussion, I will make it clear the conflicting phases being inherent in the stylized colour and consider N-Generation that the older generation is calling 'non-identity' or 'non-indivisuality' as the voluntary subject.
It is clear that they in their own manner stand against the dominant culture speaking for parents. Of course, the opposing manner appears that they seek after the specific style, consume and product the style like colour that they saw or recognized in the image. That is to say, they are both accommodating the colour-image style like the yellow-hair in 〈No-Rang-Meo-Ri〉 and producting the similar style. In this meaning the opposing style appears being in a wandering or chaotic state because of the unripe self-identity. In 〈Beat〉 the blue image becomes visible to mean that they come to a deadlock. On the other hand, it is represented to pack up the goods of the industrial society as a commodity displayed in a show window stimulates the commercial consumption. Both the yellow-hair image as the resisting and the blue image as goods, wandering or chaotic are to form the cycling link.
It is clear that they in their own manner stand against the dominant culture speaking for parents. Of course, the opposing manner appears that they seek after the specific style, consume and product the style like colour that they saw or recognized in the image. That is to say, they are both accommodating the colour-image style like the yellow-hair in 〈No-Rang-Meo-Ri〉 and producting the similar style. In this meaning the opposing style appears being in a wandering or chaotic state because of the unripe self-identity. In 〈Beat〉 the blue image becomes visible to mean that they come to a deadlock. On the other hand, it is represented to pack up the goods of the industrial society as a commodity displayed in a show window stimulates the commercial consumption. Both the yellow-hair image as the resisting and the blue image as goods, wandering or chaotic are to form the cycling link.
목차
1. 서론
2. 스타일의 문화정치적 의미
3. 스타일로서의 색채
4. 저항 속의 스타일, 노랑머리 이미지: 영화 〈노랑머리〉분석
5. 영화 〈비트〉의 푸른색 이미지: 전시된 이미지와 통로없음에 대한 혼돈
6. 결론
참고 문헌
Abstract
참고문헌 (0)
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