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자료유형
학술대회자료
저자정보
Vien Cheung (University of Leeds) Stephen Westland (University of Leeds)
저널정보
한국색채학회 한국색채학회 학술대회 2011 International Color Symposium In Autumn
발행연도
2011.10
수록면
91 - 94 (4page)

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초록· 키워드

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Designers who understand colour have greater possibilities at their disposal. This paper discusses four colour-related subjects - colour harmony, colour forecasting, colour preference and colour semiotics - in design; and the way in which their influences may be exploited in the design process. Basic associations of colour are quite clearly understood; thus certain colours (primarily red, but also yellow and orange) are thought of as warm colours whereas other colours (blue and green, for example) are cool colours. These associations can help to construct collections of colours that are harmonious. Colour forecasting aims to evaluate the moods and buying behaviour of consumers 1-2 years in advance and is particularly important in the textile and fashion industries. Many studies have recently considered colour preference in an abstract sense. However, it seems likely that the context in which colour is used in design is also important. There is a need for more colourpreference studies in complex or real environments. Colour semiotics is extremely powerful. However, they are certainly culture-specific, possibly gender, age, and socio-economic specific. Most textbooks provide only a very basic coverage. There is an urgent need for robust and comprehensive studies.

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Abstract
1. Introduction
2. Colour Harmony
3. Colour Forecasting
4. Colour Preference
5. Colour Semiotics
6. Discussion
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