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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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Several feminist critics, provoked by Shepard's handling of female characters and concerns, have seen oppressive views of women in his earlier plays. But in Fool for Love and A Lie of the Mind, female characters are significantly different from earlier Shepard women. In these plays, women have their own voices, and they are modem, independent, and socially active. As a result, man-woman relationships also change. Though violent men appear the same as those of Shepard's earlier works, women's response to them are different.
In the case of May in Fool for Love, she no more accepts the woman's role, which Eddie has given her, as a beloved girl who always waits till her lover comes back at any time he wants. At the last scene, she leaves her place and makes end to her waiting and shows her decision not to repeat her mother's and Eddie's mother's lives and destinies any more.
In the case of A Lie of the Mind, Shepard goes further. Shepard presents alternatives to the conventional man-woman relationship by employing Frankie who is moderate and tender and accepts his suppressed internal femininity. Lorraine and Sally try to begin a new life when they realize that the men in their life were always "hopeless." In the case of Meg and Baylor, when the woman who has been always generous and endure the man's dominance shows her independency, she changes her male partner's view of their relationship.
With women character's longing for the change of male-female relationships and with their decisions and efforts, there are great symptoms of changes in Shepard's view of life and world which is more hopeful and optimistic.
In the case of May in Fool for Love, she no more accepts the woman's role, which Eddie has given her, as a beloved girl who always waits till her lover comes back at any time he wants. At the last scene, she leaves her place and makes end to her waiting and shows her decision not to repeat her mother's and Eddie's mother's lives and destinies any more.
In the case of A Lie of the Mind, Shepard goes further. Shepard presents alternatives to the conventional man-woman relationship by employing Frankie who is moderate and tender and accepts his suppressed internal femininity. Lorraine and Sally try to begin a new life when they realize that the men in their life were always "hopeless." In the case of Meg and Baylor, when the woman who has been always generous and endure the man's dominance shows her independency, she changes her male partner's view of their relationship.
With women character's longing for the change of male-female relationships and with their decisions and efforts, there are great symptoms of changes in Shepard's view of life and world which is more hopeful and optimistic.
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