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논문 기본 정보

자료유형
학술대회자료
저자정보
저널정보
동북아시아문화학회 동북아시아문화학회 국제학술대회 발표자료집 동북아시아문화학회 제14차 국제학술대회
발행연도
2007.6
수록면
126 - 129 (4page)

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초록· 키워드

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Osamu Dazai is the human being who strongly takes influence of Jomon culture. This was pointed out by Takeo Okuno.This report analyzed the point that there was influence of Jomon culture from a work of Osamu Dazai.
The Jomon people believed in the next world such as "Tokoyo", "Tokoyo" is the same as "Niraikanai" of Okinawa. It is the starting point of everything, and it is last anival point. Everything mixes, and it is the world that is not divided.
Originally "Urashima DEnnsetu" is the story that Urashirna visits "Tokoyo". But the times got worse, and "Ryugu" has become simple Utopia not "Tokoyo". But "Ryugu" which Dazai wrote is not luxurious Utopia. It is the world having nothing. This is right a thing of "Tokoyo".
The Jomon people believed in God named "Syukujin". "Syukujin" has various examples, and "Okina" in "Enngaku" is an example of "Shyukujin". Relations with "Ena" are important to explain "Okina" of "Engaku". I protect a fetus with "Ena" in the interior of the womb of mother. "Okina "of "Engaku" wears a copy of "Ena". And "Hata Kawakatu" of a father of "Engaku" is protected to a thing seeming to be "Ena" when I depart to time and a place of birth. "Syukujin" is protected to "Ena", and "Ena" is at one with "Syukujin". "Ena" is a thing symbolizing a woman, and a thing protected to "Ena" is a paternal symbol.
"Ena" appears in a work of Dazai district well. It is "ryugu" of "Urashima", Shizuko of "Ningen Sikkaku", a house of a madam of bar. Both are "Ena" in the world that a woman rules over.
Become Okina, and that Urashima who became an old man is happy is protected by "Ena" is because was done.
There is a desire to "Tokoyo, syukujin" in his work.

목차

はじめに
1. 常世という死後の世界
2. 「浦島さん」
3. 宿神論
4. 太宰の作品にみられる胞衣
5. おわりに

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