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논문 기본 정보

자료유형
학술대회자료
저자정보
저널정보
동북아시아문화학회 동북아시아문화학회 국제학술대회 발표자료집 동북아시아문화학회 제13차 국제학술대회
발행연도
2006.11
수록면
125 - 130 (6page)

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초록· 키워드

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In the Xinjiang region, the important place of the traffic of the ancient Silk Road, the musical characteristics of several peoples have harmonized with each other to develop into the peculiar weiwuerzu. music. Mukamu, handed down by the weiwuerzu. people of each district of xinjiang, are divided into Uyyur 12 Muqam, Turupan Mukan, Darang Muqam, Hami Muqam according to its characteristics. 4 kinds of weiwuerzu. Muqam, handed down among the weiwuerzu. people of different regions, are the suite. They begin with the 'sanpan-seochang' which is not uniform in each part and have some measure of improvisation at the time of their performance. It is thought that this it is related to the Korean musical system of Sanjo or Pansori.
What is the most interesting can be said to be that the musical instrument leading rhythms in Korean music is the 'janggu'(drum shaped like a hourglass) It is 'Dafu' that plays a role of this janggu in the music of weiwuerzu. As a result of the on-spot survey of the Chinese Xinjiang region, Dafu of the several musical instruments performs a central role in several musical instrument formations in any music.
And the ancient Silk Road music not only has a great effect on the artistic field of each people but also the findings of studies in each of the humanities, such as 'Culture of the Race Dwelling in the Tarim Basin', Rise and Fall of Buddhism of the Countries Bordering on Western China', 'The Life of the weiwuerzu and the Formation and Change of Peoples in the Ancient History of Silk Road' and the like have a great influence on artistic fields such as dance, drama, music and the like of the ancient countries bordering on western China and the ancient Silk Road. To know the musical culture of the Silk Road, multi- and inter-disciplinary studies should be conducted, and it is expected that many studies will be conducted concerning this field in the future.

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Ⅱ. 위구르족의 음악 문화
Ⅲ. 신강 위구르 무캄과 한국 음악과의 상호 연관성
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