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자료유형
학술저널
저자정보
저널정보
동북아시아문화학회 동북아 문화연구 동북아 문화연구 제15집
발행연도
2008.6
수록면
261 - 275 (15page)

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이 논문의 연구 히스토리 (13)

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An element of decadence, decadence and vice is consistent from debut at that time of literary circles to the sunset, and Tanizaki's work has been adopted by those. It's said to be whether Tanizaki was the beginning for such world, I paid attention and described a thesis. This is chosen as the influence it's creative, but by which Tanizaki is Baudelaire and Nagai Kafu.
Since putting the world of corruption of Tanizaki and Kafu Baudelaire in the point which occurred from descent consciousness of beauty, I have a common point, but there are respective points of difference. Tanizaki's corruption in "tattoo" was limited inside the fine arts I say to a tattoo teacher from a mundaneness painter, but Kafu in case of felt and experienced a corrupted image while walking a town in produced Chinatown.
You can peep at a common point of Baudelaire and Kafu about description of devil-like beauty. It's said that that found beauty from courtesan-like lady and geisha. I'm thinking "vice" in other words "beauty" are created by the case that that also engraves a tattoo on a female back through an artist, not that "vice" generates Tanizaki in case of from substance. This devil-like female birth is the feature in Tanizaki literature.
The duality split of Baudelaire who says a god and an intention to SATAN were related and that existed at the same time close to the world of Christianity-like duality theory, original sin and corruption was indicated for the world of Baudelaire's beauty, but Tanizaki and Nagai Kafu didn't have anything such as feeling of original sin and discord of a moral.

목차

1. はじめに
2. 日本におけるボ?ドレ?ルの紹介
3. 谷崎におけるボ?ドレ?ル
4. ボ?ドレ?ル、荷風、谷崎における?の美の表出
結論
參考文獻
Abstract

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