지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
T. S. Eliot has literally broken new grounds for poetry writing in English literature. One of his innovating concepts is that poetry is no longer a linear presentation of ideas based on narrative structure, but a simultaneous existence of ideas in a spatial form. This has become thebasis for his critical ideas of poetry as well as his principle of poetry writing. Seeds of spatial form can be found in his idea of tradition as simultaneous order, and his concept of objective correlative. Eliot's idea of spatial form originates in movie techniques.
Movie has as its principal method of presenting images the manipulation and arrangement of images in an arbitrary and artificial manner. This method results in montage which means the mosaic of incongruent images in one place and at the same time.
The cinema techniques in Eliot's poetry is most clearly found in The Waste Land. The poem, originally written by Eliot all by himself, has ended up in being reduced by half by undergoing Pound’s editing, which has made the poem into an extended imagist poem. The extended style of Imagism is best manifested by cinematic montage. Tiresias exemplifies this method to the fullest. He, for example, embodies two sexes, male and female, in his own body. He does not, however, represent harmonious coexistence of two sexes. He shows, on the contrary, conflict and clash of the two sexes in himself as a montage. We can also notice silent movie techniques in the description of the typist’s affair with the carbuncular youth.
Investigation into movie techniques used by Eliot opens a new way to understanding his poetry.
Movie has as its principal method of presenting images the manipulation and arrangement of images in an arbitrary and artificial manner. This method results in montage which means the mosaic of incongruent images in one place and at the same time.
The cinema techniques in Eliot's poetry is most clearly found in The Waste Land. The poem, originally written by Eliot all by himself, has ended up in being reduced by half by undergoing Pound’s editing, which has made the poem into an extended imagist poem. The extended style of Imagism is best manifested by cinematic montage. Tiresias exemplifies this method to the fullest. He, for example, embodies two sexes, male and female, in his own body. He does not, however, represent harmonious coexistence of two sexes. He shows, on the contrary, conflict and clash of the two sexes in himself as a montage. We can also notice silent movie techniques in the description of the typist’s affair with the carbuncular youth.
Investigation into movie techniques used by Eliot opens a new way to understanding his poetry.
목차
1. 시작하는 말
2. 엘리엇의 공간 의식과 영화 기법
3. 엘리엇의 알레고리적 상상력과 몽타쥬 기법
4. 『황무지』에 나타난 영화 기법
5. 맺는 말
인용문헌
〈Abstract〉
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