지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
In 13th century, main consumers of the best quality inlaid celadon were army generals who based on military power such as Choi’s. With these kind of the demands, existing elegant literary and cultured favour changed into meaningless gaudy patterns. Koryo celadons were manufactured for the aristocracy also mainly based on splendid inlaid technique. Through these celadons, we can confirm demand formation of the consumers who take the best quality celadon at that time. The propensity of decorate brilliant was getting strong. For this reason, patterns cover whole body of vessels. In this process, application of imprint design getting increased to make same pattern easily.
Development of agricultural producing capacity and spreading distribution economy through market places made to increase celadon consumer group. It was special feature of the first half of 14th century, Koryo inlaid celadon produced more, to meet the increased demand. Introduce newly changed demands, like patterns cover whole body of vessels, and make more vessels effectively, imprint design was widely and fully used.
In 14th century Koryo inlaid celadon covered patterns whole body of vessels and produced on a large scale. Apart from these characteristics, we can perceive several influences of Yuan dynasty cultural factors through 14th century Koryo inlaid celadon. During King Chung-sun (忠宣王) Koryo showed positive and well disposed attitude in relationship with Yuan dynasty (元朝). In this time, resistance and objection about Yuan culture also became weak, and many kinds of cultural aspects flow into Koryo, The first half of 14th century Koryo inlaid celadon have influences from Yuan ceramics. However, The influences were limited to the best condition celadon. It can be analyzed that newly influenced characters from Yuan ceramics were only for the consumers who have relationship with Yuan dynasty directly or indirectly.
In the end of 10th century, Koryo took celadon culture from China. After that, Koryo had been developed the culture and made their own one. With firm cultural foundation of ceramics, manufacturing system of Koryo inlaid celadon can met newly occurred demand about Yuan style factors with only small transfiguration of originality. Koryo inlaid celadon which made in the first half a 14th century accepted imprint design to cover newly increased demands efficiently. In this process, Koryo celadon lost their elegant and mystery color (翡色) and changed to utility goods. Demands of Koryo celadon as utility goods could covered domestic production. For this reason, Koryo celadon industry developed independent manufacturing systems without imported Chinese ceramics which paid a lot of money and efforts.
Development of agricultural producing capacity and spreading distribution economy through market places made to increase celadon consumer group. It was special feature of the first half of 14th century, Koryo inlaid celadon produced more, to meet the increased demand. Introduce newly changed demands, like patterns cover whole body of vessels, and make more vessels effectively, imprint design was widely and fully used.
In 14th century Koryo inlaid celadon covered patterns whole body of vessels and produced on a large scale. Apart from these characteristics, we can perceive several influences of Yuan dynasty cultural factors through 14th century Koryo inlaid celadon. During King Chung-sun (忠宣王) Koryo showed positive and well disposed attitude in relationship with Yuan dynasty (元朝). In this time, resistance and objection about Yuan culture also became weak, and many kinds of cultural aspects flow into Koryo, The first half of 14th century Koryo inlaid celadon have influences from Yuan ceramics. However, The influences were limited to the best condition celadon. It can be analyzed that newly influenced characters from Yuan ceramics were only for the consumers who have relationship with Yuan dynasty directly or indirectly.
In the end of 10th century, Koryo took celadon culture from China. After that, Koryo had been developed the culture and made their own one. With firm cultural foundation of ceramics, manufacturing system of Koryo inlaid celadon can met newly occurred demand about Yuan style factors with only small transfiguration of originality. Koryo inlaid celadon which made in the first half a 14th century accepted imprint design to cover newly increased demands efficiently. In this process, Koryo celadon lost their elegant and mystery color (翡色) and changed to utility goods. Demands of Koryo celadon as utility goods could covered domestic production. For this reason, Koryo celadon industry developed independent manufacturing systems without imported Chinese ceramics which paid a lot of money and efforts.
목차
Ⅰ. 머리말
Ⅱ. 14세기전반의 도자제작 배경
Ⅲ. 14세기전반 상감청자매병의 편년자료 검토
Ⅳ. 14세기전반 상감청자매병의 특징과 변화
Ⅴ. 맺음말
참고문헌
Abstract
참고문헌 (14)
참고문헌 신청
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
高麗靑磁에 보이는 金屬器皿의 影響
미술사연구
2009 .12
-
11-12세기 粗質靑磁의 계통과 편년
미술사학
2004 .08
-
‘康津유형’의 공유 현상을 통해 본 11~12세기 청자의 성격
미술사학연구(구 고고미술)
2001 .09
-
청자유약의 Color Spectrum구축을 위한 연구
한국색채학회논문집
2010 .08
-
高麗靑磁의 技術史的 考察
미술사학연구(구 고고미술)
1993 .06
-
高麗 後期 靑瓷의 器形 變遷
미술사학연구(구 고고미술)
2001 .12
-
11세기말-12세기 전반 高麗靑瓷에 보이는 中國陶瓷의 영향
미술사학
2007 .08
-
Afterimage from Goryeo celadon
International Invitation Exhibition of Color Works
2019 .12
-
高麗初期 靑磁生産體制의 變動과 그 背景
미술사학연구(구 고고미술)
2001 .12
-
14세기 康津 磁器所의 해체와 窯業 체제의 二元化
미술사학연구(구 고고미술)
2003 .09
-
고려시대 청자화분 연구
미술사학연구(구 고고미술)
2019 .09
-
고려 청자완(靑瓷碗)의 시각적 문양에 상징된 철학사상
한국디자인포럼
2004 .01
-
漕運과 도자생산, 그리고 유통 : 海底引揚 고려도자를 중심으로
미술사연구
2008 .12
-
14世紀 後半 高麗象嵌靑磁의 新傾向 : 음식기명을 중심으로
미술사학연구(구 고고미술)
1994 .03
-
高麗陶磁窯址의 硏究
미술사학연구(구 고고미술)
1986 .12
-
尙州 靑里 고분 출토 청자 편년 연구
미술사학연구(구 고고미술)
2000 .06
-
Summary of a Longitudinal tudy(‘99-‘03) of Gang-jin Celadon Cultural Festival
한국디자인학회 국제학술대회 논문집
2005 .05
-
高麗靑磁의 發生問題 : 고려청자 언제 어떻게 만들어졌나
미술사논단
1995 .06
-
扶安郡 柳川里 高麗陶磁 硏究
미술사논단
2007 .12
-
高麗時代 鼎形靑瓷 硏究
미술사학연구(구 고고미술)
2006 .12
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-650-017048258