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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 1993.7
- 수록면
- 105 - 122 (18page)
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초록· 키워드
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In mordern society, The esthetic and efficient function and the circum stance to pursue outside shape around every environment have made a role to spur design development, and especially the problem of communication come to the fore by the important issues.
So technical, artistic and infomative mutual relation factors were connected, they made up many development of communication design, in these situation when we are going to search design history, usually we go back from the middle age the Renaissance to Bauhouse of the origin inevitably.
But nowadays our graphic designer have had many efforts to analysis works of design about oriental art pictures and they have achieved something. And I think so no longer we can11 need the origin of West work in order to search our roots, I have to find standpoint of sight moulding of San sin(Mountain god), Dok sung(Holiness), Chi l sung wha(Seven stars picture)” by analysis of graphic systems of a symbol sight native to our nation. And I will comprehend emotion of folkways by simple and graphic lines and colors in mathematical Grid of which ancestor had expressed in gauge moulding consciousness.
About structural analysis of pictorial graphic side.
1) Mathematical thought of the Orient and space constitution are, first Basically the Orient expressed number notion of mathematics of unlimitedness and notion of zero so called space and empty, second can analogize a diagonal expansion method by development of symmetry notion to basic the dual principle of the negative and positive, by degress development expressed space division method by direction notion.
2) About the proportion analysis it based the golden section globularity, and in modern layout it takes vision center of position, after appointing the brow of sacred image of San sin, Dok sung, Chi I sung wha as center point of proportion, it takes example concretely of visual center position of 9 sorts of A, B, C, D, E, F, G, H, I and applied to the point proportion and so analogized the posibi1ity of established.
Rule in union of each elements and rule of forms about picture image.
So technical, artistic and infomative mutual relation factors were connected, they made up many development of communication design, in these situation when we are going to search design history, usually we go back from the middle age the Renaissance to Bauhouse of the origin inevitably.
But nowadays our graphic designer have had many efforts to analysis works of design about oriental art pictures and they have achieved something. And I think so no longer we can11 need the origin of West work in order to search our roots, I have to find standpoint of sight moulding of San sin(Mountain god), Dok sung(Holiness), Chi l sung wha(Seven stars picture)” by analysis of graphic systems of a symbol sight native to our nation. And I will comprehend emotion of folkways by simple and graphic lines and colors in mathematical Grid of which ancestor had expressed in gauge moulding consciousness.
About structural analysis of pictorial graphic side.
1) Mathematical thought of the Orient and space constitution are, first Basically the Orient expressed number notion of mathematics of unlimitedness and notion of zero so called space and empty, second can analogize a diagonal expansion method by development of symmetry notion to basic the dual principle of the negative and positive, by degress development expressed space division method by direction notion.
2) About the proportion analysis it based the golden section globularity, and in modern layout it takes vision center of position, after appointing the brow of sacred image of San sin, Dok sung, Chi I sung wha as center point of proportion, it takes example concretely of visual center position of 9 sorts of A, B, C, D, E, F, G, H, I and applied to the point proportion and so analogized the posibi1ity of established.
Rule in union of each elements and rule of forms about picture image.
목차
ABSTRACT
Ⅰ. 序論
Ⅱ. 東洋의 數學的
Ⅲ. 山神, 獨聖, 七星畵의 比例 分析
Ⅳ. 結論
參考文獻
참고문헌 (33)
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