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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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초록· 키워드
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Zora Neale Hurston’s play De Turkey and De Law (1930) is set in Eatonville, an all-black community in Florida. This town turns out to be a stronghold of talk masters who are accredited as the initiators of the playwright’s narrative strategy of folksy humor and shrewd oratorical skill. Everyday townspeople gather on the front porch of Joe Clarke’s store and set out verbal contestation. The verbal contestation represents Eatonville folks' will for survival as African diaspora and individual. It is worth noting that the verbal contestation also functions as the driving force for humor and comic elements prevalent in the play. This paper examines the dynamism within which the black folks’ will for survival are fused with their verbal efforts into an affirmative or comic vision of life. This paper finds recurring forms of verbal confrontation in the play and examines how these verbal forms perform the survival-comedy dynamics.
The three verbal contestation patterns―talk relay, lying contest, and magic if―featured in the play, and the three phenomena―no-win situation, border-free zone, and possible world―penetrating the everyday verbal efforts of Eatonville folks reveal, independently or collaboratively, the town folks' will for survival and way of affirming life. They laugh at, reduce, and finally live out their flaws rather than sentimentalize or internalize them. They don't negate nor shun imperfections such as poverty, discrimination, and suffering. Rather, they bring them up, play with them and finally accept them as parts of life. Their folksy humor and oratorical skills exhibited during verbal contestation do not permit a room for the continuation of life as tragedy. Instead, they make the play the world of comedy. At the same time, such outspoken, dauntless, and confident presence of Eatonville folks during their verbal contestation is due to their strong will for survival. Likewise, verbal contestation patterns perform the dynamics within which Eatonville folks' will for survival is fused with their verbal contestation patterns into such affirmative and comic vision of life.
The three verbal contestation patterns―talk relay, lying contest, and magic if―featured in the play, and the three phenomena―no-win situation, border-free zone, and possible world―penetrating the everyday verbal efforts of Eatonville folks reveal, independently or collaboratively, the town folks' will for survival and way of affirming life. They laugh at, reduce, and finally live out their flaws rather than sentimentalize or internalize them. They don't negate nor shun imperfections such as poverty, discrimination, and suffering. Rather, they bring them up, play with them and finally accept them as parts of life. Their folksy humor and oratorical skills exhibited during verbal contestation do not permit a room for the continuation of life as tragedy. Instead, they make the play the world of comedy. At the same time, such outspoken, dauntless, and confident presence of Eatonville folks during their verbal contestation is due to their strong will for survival. Likewise, verbal contestation patterns perform the dynamics within which Eatonville folks' will for survival is fused with their verbal contestation patterns into such affirmative and comic vision of life.
목차
Ⅰ. 서론
Ⅱ. 언쟁의 세 가지 형태
Ⅲ. 생존과 코미디: 언쟁의 역학
Ⅳ. 결론
인용 문헌
Abstract
참고문헌 (14)
참고문헌 신청
박정만 , 2006 , 상상에서 현실로 Color Struck에 나타난 조라 닐 허스튼의 '포크에 충실하게' 전략과 그 효과 19 (2) : 5 ~ 38
Hurston, Zora Neale , 2005 , De Turkey and De Law : 115 ~ 189
Lowe, John , 1995 , From Mule Bone to Funny Bones The Plays of Zora Neale Hurston 33 (2-3) : 65 ~ 78
Peters, Pearlie Mae Fisher , 1998 , The Assertive Woman in Zora Neale Hurston's Fiction, Folklore, and Drama
Rosenberg, Rachel A , 1999 , Looking for Zora's Mule Bone: The Battle for Artistic Authority in the Hurston-Hughes Collaboration. 6 (2) : 79 ~ 105
Hurston, Zora Neale , 2005 , De Turkey and De Law : 115 ~ 189
Lowe, John , 1995 , From Mule Bone to Funny Bones The Plays of Zora Neale Hurston 33 (2-3) : 65 ~ 78
Peters, Pearlie Mae Fisher , 1998 , The Assertive Woman in Zora Neale Hurston's Fiction, Folklore, and Drama
Rosenberg, Rachel A , 1999 , Looking for Zora's Mule Bone: The Battle for Artistic Authority in the Hurston-Hughes Collaboration. 6 (2) : 79 ~ 105
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UCI(KEPA) : I410-ECN-0101-2009-842-016661339