지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
In early twentieth century, numerous art movements had been created and activated more fervently than ever before in Russia. In the age of so called ‘Russian Avant-garde’, Russia was kind of a grand laboratory for experiments on art. Kazimir Malevich was also one of the great artists who had been involved taking the experiments during that period. He is well known for the abstract paintings which he coined for “Suprematism”. Former studies on Malevich’s art mainly focus on his Suprematist works.
Malevich’s stage and costume design for the opera Victory over the Sun was not evaluated since it was only produced in 1913 which is 2 years earlier than 〈0.10〉, known as the first Suprematist exhibition, was held. However, in the stage design of Victory over the Sun there is an absolute abstract work that can be called as the first Suprematist work. Thus the stage and costume design shows the process of how Malevich transformed his works from the figurative into the abstract art and also it can be assumed as the linking work between those two phases.
In addition, the stage and costume design for Victory over the Sun is crucial in terms of not only Malevich’s art world but Russian stage art history as well. In the backdrops of Victory over the Sun, Malevich ceased to emulate the scenes of drama in a descriptive way which was the usual style at that time in Russia. Instead, he designed the backdrops independent from the story in a revolutionary way. Moreover the costume was also completely unconventional. The body consisting of geometric forms such as cube, cone and cylinder looks like a machine or a robot. Although his stage and costume design was not traditional but experimental, it had influenced future generations and became an avant-garde tradition in Russia’s stage art.
Malevich’s stage and costume design for the opera Victory over the Sun was not evaluated since it was only produced in 1913 which is 2 years earlier than 〈0.10〉, known as the first Suprematist exhibition, was held. However, in the stage design of Victory over the Sun there is an absolute abstract work that can be called as the first Suprematist work. Thus the stage and costume design shows the process of how Malevich transformed his works from the figurative into the abstract art and also it can be assumed as the linking work between those two phases.
In addition, the stage and costume design for Victory over the Sun is crucial in terms of not only Malevich’s art world but Russian stage art history as well. In the backdrops of Victory over the Sun, Malevich ceased to emulate the scenes of drama in a descriptive way which was the usual style at that time in Russia. Instead, he designed the backdrops independent from the story in a revolutionary way. Moreover the costume was also completely unconventional. The body consisting of geometric forms such as cube, cone and cylinder looks like a machine or a robot. Although his stage and costume design was not traditional but experimental, it had influenced future generations and became an avant-garde tradition in Russia’s stage art.
목차
Ⅰ. 머리말
Ⅱ. 〈태양에 대한 승리〉의 기획 배경
Ⅲ. 절대주의와 4차원적 공간 개념
Ⅳ. 전쟁 모티프와 기계 인간 이미지
Ⅴ. 맺음말
참고문헌
Abstract
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
카지미르 말레비치 절대주의 회화를 응용한 니트디자인
한국의상디자인학회지
2007 .12
-
Malevich와 동시대성
현대미술학 논문집
1999 .12
-
러시아 전위미술의 여전사들
현대미술사연구
2009 .06
-
발터 벤야민의 변증법적 이미지 전략과 예술적 각성에 대하여 - 카지미르 말레비치와 존 고토의 예술작품을 중심으로 -
예술과 미디어
2019 .01
-
연극 ‘하얀중립국(원제:안도라)’의 무대의상 전개과정
한국의상디자인학회지
2013 .12
-
A Study on the Grotesque Images shown in the Stage Costumes -Focused on the Stage Costumes since 1990-
한국의류학회 학술발표논문집
2002 .01
-
공연의상 디자인의 이미지 분류를 통한 디자인 개발 방향 연구 : 자극물 조사를 중심으로
한국디자인학회 국제학술대회 논문집
2008 .10
-
현대패션에 나타난 카지미르 말레비치와 나움 가보의 공간성 비교 분석
한국디자인문화학회지
2015 .12
-
공연 예술 의상의 표현 방식에 관한 연구 : 뮤지컬 의상을 중심으로
한국의상디자인학회지
2011 .06
-
Historical Evolution of Stage Costumes in Europe since the Second World War
한국의류학회지
2007 .01
-
현대 섬유조형에 나타난 미술의상의 기법에 관한 연구 : 1990년 한국 미술 의상전을 중심으로
한국디자인문화학회지
2000 .12
-
무대의상 제작실의 환경과 설비에 관한 연구
한국연극학
2004 .01
-
연극 〈아마데우스〉의 의상과 무대 디자인 분석
한국디자인학회 학술발표대회 논문집
2018 .11
-
CURRICULUM RESEARCH ABOUT STAGE COSTUME FOR PROFESSIONAL EDUCATION IN KOREA
한국의류학회 학술발표논문집
2001 .01
-
뮤지컬 <루나틱>의 무대의상 디자인 연구
한국디자인포럼
2008 .01
-
PATTERN DEVELOPMENT OF STAGE COSTUME FOR DYNAMIC MOVEMENT
한국의류학회 학술발표논문집
2005 .01
-
북 아트(Book Arts)의 발전 및 형성에 관한 연구 : 아방가르드(Avant-garde)를 중심으로
한국디자인학회 국제학술대회 논문집
2005 .05
이 논문의 저자 정보
이 논문과 함께 이용한 논문
정신사적 관점에서 В. 칸딘스키(Кандинский)와 К. 말레비치(Малевич) 회화의 초월성
이규영
슬라브학보
2016
.09
카지미르 말레비치 절대주의 회화를 응용한 니트디자인
김그림
,
김영주
,
이연희
한국의상디자인학회지
2007
.12
Folklore, Fakelore, Folklorism: 소비에트 시대 민속과 민속학 연구 경향
김상현
슬라브학보
2008
.06
말레비치의 〈검은 정사각형〉에 대한 재고
김정희
현대미술학 논문집
1999
.12
이콘과 말레비치 : 부재(不在)의 현전(現前)
이덕형
슬라브학보
2000
.06
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-609-016512214