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자료유형
학술저널
저자정보
저널정보
강원대학교 인문과학연구소 인문과학연구 江原人文論叢 제11집
발행연도
2003.12
수록면
79 - 98 (20page)

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Norman Mailer is one of New Journalism writers. They tried to recapture the reality of their society with the new genre of non-fiction which combines the method of novel with the one of journalism. In The Armies of the Night, Mailer is writing a history of the 1960s American event, the march on the Pentagon. For him, what really matters was how to recapture the feeling of the event: his own narrative strategy.
This work is divided into book 1 and book 2. Book 1 prepares for book 2. His highly personal account of the march in book 1 issue finally in a subjective but general interpretation of the event as a whole. The structure of book 1 corresponds to the stages of Mailer's spiritual experience. His simple hero, Mailer himself, is a cynical participant at first and becomes engaged in the cause of the march to Pentagon at the end of the book 1. He experiences the ritual of passage with other participants like the hero of a novel, and his reactions become representative.
With the impersonal, authoritative tone established III book 1, Mailer writes a subjective history in book 2. Mailer takes the Center and the Left of American politics. He is charmed with the tactics of the New Left. In the procedures of the demonstration, it is revealed that 'the country had been living with a controlled schizophrenia which had been deepening with the years.'The March on the Pentagon is a symbolic battle against totalitarianism represented by the Vietnam war. What Mailer charts in book 2 is the conversion of nihilism into purposeful rebellion and the rite of passage.
Many critics attacked the final chapter, noting it a 'false prophesy'. But the rite of passage Mailer describes is an individual, not a collective experience. The essence of Mailer's message is that spiritual rejuvenation is available to anyone willing to persist in a cause. At least he succeeds in making his personal experiences general and writing a subjective history which reveals the reality of the 1960s American society. And the objective of his narrative strategy is fulfilled.

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