지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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The gifted dancer of Honam area Han Jin-ok was born in Geumkwa-myun, Sunchang-gun, chollabuk-do province, 1910. His father was a distinguished shaman musician in good command of Haegeum and Kayageum and his mother was an exorcist known very well all over the Cholla area. His younger sister Han Ae-sun is an inheritor of the Intangible Cultural Asset No.1, Namdo Pansori, especially of “Heungbo-ga”. like this, Han Jin-ok’s artistic talent is inborn from the family blood.
At the age of 9, he learned how to sing from a renowned singer jang Pan gae and, when he was 17, he began to learn dance carnestly under the instruction of Lee Jang sun, one of the most famous dancers at that time. And the through the teachings of Shin Kap-do and Lee Chang-jo, his dancing skills advanced. Shin Kap-do was a master of “sword dance” and lee Chang-jo was famous for his “Buddhist tightrope dance”, “Whangjin-mu”, and “Seungjun-Mu”. And Han Jin-ok once used to accompany the master singer Jung Jung-yeol's songs on the drum and his drumming was excellent.
In the prime of life, Han Jin-ok devoted himself to cultivating his juniors as an outstanding dance teacher of Kwangju Kwonbun(the kisaengs’ school). He temporarily worked as a dancer and a drum player for Jang Pan-gae Hyeopyul-sa Company and Wharang Singers’ Theare but all his life was spent in transmitting the traditional dances of Honam mainly around Kwangju. He trained numerous younger people at Kwangju Kwonbun that had been a womb of traditional arts education under the Japanese occupation and reorganized into Kwangju Classical Music Institute after the 1945 Liberation. Until kwangju City Music Institute was dosed in 1987, Han Jin-ok did his best to transmit traditions of honam but his health rapidly deteriorated and he died in 1991.
Han Jin-ok was a master of such dances as the Buddhist dance, Salpuri-chum, Whakwan-mu, Hak-mu, Pup-mu, sogo-chum, and Janggo-chum. His dances are invaluable in the respect that they have preserved the archetypes of traditional Honam dances. His dancing enlivened many traditional dance movements that could be handed down only by word of mouth such as the waist movements, front movements, face movements, Jungtle-eum, Danbak, Pangsuk-dori, Wumabal-sawyi. In spite of working for Kwonbun, his dances were characteristically masculine with strong touches of vigor and thrilling aesthetic sense.
Although Han Jin ok was a great dancer who can rank with Lee mae-bang, one of the human cultural assets of Korea, his achievements haven’t been fully acknowledged yet in the metropolitan artistic circles. More serious concern should be given to his traditional dances, the treasure house of Honam daces.
At the age of 9, he learned how to sing from a renowned singer jang Pan gae and, when he was 17, he began to learn dance carnestly under the instruction of Lee Jang sun, one of the most famous dancers at that time. And the through the teachings of Shin Kap-do and Lee Chang-jo, his dancing skills advanced. Shin Kap-do was a master of “sword dance” and lee Chang-jo was famous for his “Buddhist tightrope dance”, “Whangjin-mu”, and “Seungjun-Mu”. And Han Jin-ok once used to accompany the master singer Jung Jung-yeol's songs on the drum and his drumming was excellent.
In the prime of life, Han Jin-ok devoted himself to cultivating his juniors as an outstanding dance teacher of Kwangju Kwonbun(the kisaengs’ school). He temporarily worked as a dancer and a drum player for Jang Pan-gae Hyeopyul-sa Company and Wharang Singers’ Theare but all his life was spent in transmitting the traditional dances of Honam mainly around Kwangju. He trained numerous younger people at Kwangju Kwonbun that had been a womb of traditional arts education under the Japanese occupation and reorganized into Kwangju Classical Music Institute after the 1945 Liberation. Until kwangju City Music Institute was dosed in 1987, Han Jin-ok did his best to transmit traditions of honam but his health rapidly deteriorated and he died in 1991.
Han Jin-ok was a master of such dances as the Buddhist dance, Salpuri-chum, Whakwan-mu, Hak-mu, Pup-mu, sogo-chum, and Janggo-chum. His dances are invaluable in the respect that they have preserved the archetypes of traditional Honam dances. His dancing enlivened many traditional dance movements that could be handed down only by word of mouth such as the waist movements, front movements, face movements, Jungtle-eum, Danbak, Pangsuk-dori, Wumabal-sawyi. In spite of working for Kwonbun, his dances were characteristically masculine with strong touches of vigor and thrilling aesthetic sense.
Although Han Jin ok was a great dancer who can rank with Lee mae-bang, one of the human cultural assets of Korea, his achievements haven’t been fully acknowledged yet in the metropolitan artistic circles. More serious concern should be given to his traditional dances, the treasure house of Honam daces.
목차
Ⅰ. 머리말
Ⅱ. 한진옥의 생애와 예술활동
Ⅲ. 호남의 전통예능교육과 한진옥
Ⅳ. 한진옥 전통춤의 실체
Ⅴ. 한진옥 전통춤의 가치
Ⅵ. 맺음말
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