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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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Dangeum is a kind of singing practice conducted at Seodang, a private Chinese text teaching institute, for young children as a way of memorizing the Chinese texts. This paper examines the possibility of recognizing “Dangeum” as children songs.
To this end, five veteran scholars of Chinese literature trained in a traditional way have been interviewed to record their singing voice of Dangeum. The sound is transcribed into scores and analyzed and what were talked at the interviews are outlined in the paper.
Below are the facts found from the study.
1. The tempo of Dangeum is irregular.
2. Regarding the text setting, most part of a song was done in syllabic style and neumatic style was adopted to a small degree. But melismatic style was rarely found in a song, so the overall impression of the song is more like a children song in a simple rhythmic structure.
3. Mostly, Dangeum is in pentatonic scale with the authentic Sol-mode or the plagal Do-mode.
4. The range is within an octave.
5. In most cases, the melody progresses in a ascending direction gradually. The melodic progression to the tone a fourth above exceptionally appears a few times.
6. The cadential form differs on the mode of music. For Dangeum in authentic mode, the melody descends gradually and ends in the lowest tone as a cadential tone. For Dangeum in plagal mode, the cadential tone is higher than the lowest tone, thus the melody ends in ascending direction.
As stated above, the Dangeum shows simplicity in its musical style. It is non-professional music and reveals strong individual characteristics upon performers but still used to be a universal cultural aspect in traditional society. Though the fact that the Chinese text was used for Dangeum as its lyrics is much different other traditional children songs, Dangeum was sung, like other children songs, mostly by the children around 10 years as a way of memorizing the Chinese texts for educational purpose. In this regard, it is quite possible to view the Dangeum as a kind of children song in traditional society.
To this end, five veteran scholars of Chinese literature trained in a traditional way have been interviewed to record their singing voice of Dangeum. The sound is transcribed into scores and analyzed and what were talked at the interviews are outlined in the paper.
Below are the facts found from the study.
1. The tempo of Dangeum is irregular.
2. Regarding the text setting, most part of a song was done in syllabic style and neumatic style was adopted to a small degree. But melismatic style was rarely found in a song, so the overall impression of the song is more like a children song in a simple rhythmic structure.
3. Mostly, Dangeum is in pentatonic scale with the authentic Sol-mode or the plagal Do-mode.
4. The range is within an octave.
5. In most cases, the melody progresses in a ascending direction gradually. The melodic progression to the tone a fourth above exceptionally appears a few times.
6. The cadential form differs on the mode of music. For Dangeum in authentic mode, the melody descends gradually and ends in the lowest tone as a cadential tone. For Dangeum in plagal mode, the cadential tone is higher than the lowest tone, thus the melody ends in ascending direction.
As stated above, the Dangeum shows simplicity in its musical style. It is non-professional music and reveals strong individual characteristics upon performers but still used to be a universal cultural aspect in traditional society. Though the fact that the Chinese text was used for Dangeum as its lyrics is much different other traditional children songs, Dangeum was sung, like other children songs, mostly by the children around 10 years as a way of memorizing the Chinese texts for educational purpose. In this regard, it is quite possible to view the Dangeum as a kind of children song in traditional society.
목차
Ⅰ. 머리말
Ⅱ. 당음의 음악양식
Ⅲ. 맺는말 : 당음의 장르 귀속 문제
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UCI(KEPA) : I410-ECN-0101-2009-673-017603430