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Cinematic Imagination and Representation of State/Nation - Focusing on 〈Silmido〉 and 〈Hanbando〉
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국가/민족에 대한 영화적 상상력과 재현 : 〈실미도〉와 〈한반도〉를 중심으로

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Type
Academic journal
Author
Journal
The Korea Contents Society JOURNAL OF THE KOREA CONTENTS ASSOCIATION Vol.6 No.11 KCI Accredited Journals
Published
2006.11
Pages
56 - 64 (9page)

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Cinematic Imagination and Representation of State/Nation - Focusing on 〈Silmido〉 and 〈Hanbando〉
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It seems that there has been a tendency of faction film which reveals imagination of state/nation. As typical examples, <Silmido〉 & 〈Hanbando〉 would show the relationship between some factional imagination and the project of blockbuster. In this regard, I've researched the tradition of cinematic representation of state/nation and some historical aspects which reveal the being of official films ruled by oppressive political intention. As a kind of discourse dealing with state/nation, 〈Silmido〉 & 〈Hanbando〉 have specific strategy of representation. The analysis about that process might enable us to understand what is nationalism and what is the nature of ideological discourse consumed by faction-related products.
#국가/민족 담론 #블록버스터 #팩션 #역사 #내셔널리즘 #Discourse of State/Nation #Biockbuster #Faction #History #Nationalism

Contents

요약
Abstract
Ⅰ. 서론
Ⅱ. 영화와 국가/민족의 재현
Ⅲ. 내셔널리즘적 낭만주의의 역사 소환
Ⅳ. 결론
참고문헌
저자소개

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UCI(KEPA) : I410-ECN-0101-2009-004-017539496