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자료유형
학술저널
저자정보
저널정보
한국현대정신분석학회 현대정신분석 라깡과 현대정신분석 제4권 제1호
발행연도
2002.12
수록면
181 - 198 (18page)

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초록· 키워드

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Psychoanalysis is not the work of interpreting the language of patient but that of re-constructing his fantasies. Here fantasy has an important meaning because unconscious desire is constructed where the symbolic language of a patient is interrupted. Fantasy is also the place of exhibiting and defensing the lack of language at the same time. The subject uses fantasy in order to conceal the lack of the Other. The analysand should traverse his fantasies through the course of psychoanalytic treatment. 'Traversing the fantasy' does not mean simple disposal of fantasy but recognition of fundamental lack of the Other and separation from it. Although the object of fantasy, object a, endows the subject with the fictive identity, the subject perceives the fact that he does not have any secret or kind of treasure, that is, the support for him by traversing the fantasy. Also, even if the fantasy can not be incorporated into the symbolic, it is also the factor of composing it.
Films of David Lynch dealing with the inner world of the human rather than our daily lives or superficial reality often show that the fantastic support of the reality functions as defence of the real. The characters of split consciousness in his films desire the desire of the Other unknowable to them and show how fantasy is projected into the impossible object of desire. The process of analyzing his film is compared with that of treating a patient in the psychoanalysis and his cinematic world has many similar aspects with several concepts in the psychoanalysis. This paper tries to analyze the Spanish film, Open your eyes, directed by Alejandro Amenabar in the Lacanian view based on the analysis of Lost Highway of David Lynch by ?i?ek. Open your eyes shows the different finale from that of Lost Highway although fantasy and reality are mixed mysteriously in the cyclic narrative of the films and characters are confused with them. The hero in Open your eyes traverses his fantasy at the end of the film in contrast with the ambiguous end of Lost Highway.

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잃어버린 봉합점 - 『로스트 하이웨이』
실재계에 눈뜨기 - 『오픈 유어 아이즈』
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「Abstract」

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