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자료유형
학술저널
저자정보
저널정보
한국현대정신분석학회 현대정신분석 라깡과 현대정신분석 제4권 제1호
발행연도
2002.12
수록면
63 - 87 (25page)

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초록· 키워드

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Both Nathaniel Hawthorne and L. P. Hartley describe a fantasy world rather than the real world through the frequent use of "tight symbols." Like those in Hawthorne's romance, the symbols in Hartley's The Go-Between reflect valid characters' psychological reality and give us a double perspective on stories revealing their moral preoccupation. Especially, Hawthorne and Hartley intentionally emphasized the importance of a purple plant or nightshade as an unifying symbol of evil and goodness as well as the inconclusive interpretation among characters' multiple choices. Similarly, in Margaret Atwood's Cat's Eye, nightshade(belladonna) functions as the essential structure to convey the mysterious spiritual universe. Warning our over-romantic, destructive tendency, the tight symbol of nightshade leads us to the notion that nature can be nasty despite human beings' innocent efforts. Interestingly, combined with heroines' beauty and attraction, the nightshade in three writes' works commonly shows that the young protagonists' humanistic and innocent motives for women(nature) are inevitably thwarted by the destructive and outside forces. All human wits are required to understand a beautiful lady's charm but those wits collapsed before the ambiguous nature represented by a deadly flower.
Whereas the puzzle of human heart let the conscious dreamers take the middle road between fate and free will, the enigma of human head seems to provide some more decisive solution thanks to progress of scientific understanding in Ken Kesey's One Flew Over the Cuckoo's Nest. Transforming the over-romantic yet destructive nightshade image of women into the powerful, matriarchal cyborg(Ms. Ratched), the amazing techno-science in the postindustrial era offers a strong voice to female characters preferring their feminity, fiction and feeling(3F). At the same time, however, the newly gained female mechanical authority estranges heroines from themselves and threatens male characters to have negative Oedipus complex. Fearing for potential castration by Big Nurse, he-man like McMurphy tries to overcome the eschatological cloud of feminized technology through emphasizing scatological drives in vain.
For Jacque Lacan, the tight, fantastic symbols such as nightshade and Ms. Ratched as the images stockees reveal potential representations of transpersonal subconscious. Tight symbols invites the violation of the restrictive world and works as the negentropy by approaching nearer to mythological and archetypal world. Like paraxis or object a, tight symbols decenter the oppressive experiential world through endless dissemination and creative transformation of the sign combining science and myth.

목차

Ⅰ. 나이트셰이드(Nightshade)로서의 여성
Ⅱ. 여성의 검경(Speculum)으로서의 나이트셰이드
Ⅲ. Ms. Rachted: 사이보그 여성상
Ⅳ. 풍유적 환상
인용문헌
「Abstract」

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