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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2000.2
- 수록면
- 197 - 216 (20page)
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This article examines and estimates Charlotte Brontë's ambivalence in Shirley in the feminist perspective. This work focuses on the condition of middle class women and the responses of two heroines to it. One heroine, Caroline suffers after being rejected by Moore, the manufacturer; her suffering is given a more expansive context by a comparison between women and factory workers. The heroine, herself, finds the similarities between the position of women and that of unemployed workers as capitalism's Other. Here Gender and class intersect to create the socially divided terrain in the text. But Brontë cannot continue to explore the implications of sexual discrimination; gender and class interests fail to merge, despite mutual subordination to the patriarchal interests of the middle class men.
The dominant femininity is envisaged in the other heroine's, Shirley's essay on Eve. But a gendered hierarchy is made to disrupt and denigrate this dominant position. Further, love enters to enslave, weaken, endanger and to render female strength vulnerable. The marriage of Moore and Shirley demonstrates inferiority inherent in the female position.
Shirley written from women's point of view constantly returns to the limitations of femininity. Her individualistic perspective makes it difficult for her to conceive of women as an oppressed group engaged in changing the social order. Instead she attempts to reconcile the contradiction between woman's aspiration and her condition within the mold she would break. She emphasizes that women can continue their private struggle for self - respect and personal achievement even in the framework of the established society. At this moment of compromise, she fails as an artist as well as a feminist.
The dominant femininity is envisaged in the other heroine's, Shirley's essay on Eve. But a gendered hierarchy is made to disrupt and denigrate this dominant position. Further, love enters to enslave, weaken, endanger and to render female strength vulnerable. The marriage of Moore and Shirley demonstrates inferiority inherent in the female position.
Shirley written from women's point of view constantly returns to the limitations of femininity. Her individualistic perspective makes it difficult for her to conceive of women as an oppressed group engaged in changing the social order. Instead she attempts to reconcile the contradiction between woman's aspiration and her condition within the mold she would break. She emphasizes that women can continue their private struggle for self - respect and personal achievement even in the framework of the established society. At this moment of compromise, she fails as an artist as well as a feminist.
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UCI(KEPA) : I410-ECN-0101-2009-840-015214361