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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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Pi Ri Xiu(834~883) is known for his poetry, which portrayed the social injustices of his era, for his advocacy of Mencius(孟子) and Han Yu(韓愈), and for his literary association with an insular Soochow(蘇州) coterie centered about Lu Gueimeng(陸龜蒙). Provincial life kept him in close touch with the people and much of his early verse reflects their concerns and hardships:
Deep into autumn the acorns ripen,
Scattering as they fall into the hillside scrub.
Hunched over, a hoary-haired crone
Gathers them, treading the morning frost.
(From “Hsiang-wen tan” [ Lament of an Old Acorn-gatherer])
Having been in the capital off and on since 864, Pi passed the chin-shih(進士) examination in 867. He seems to have never been comfortable in the capital city, which was indeed not the mecca for young graduates it had been several generations earlier. Unable to find either patron or position－the two wend hand in hand in the late Tang－he went to Soochow and attached himself to the coterie of the prefect, Ts’ui P’u. in a matter of months he and Lu Kueimeng, a scion of a prominent local clan, had become fast friends. Pi traveled back to the capital and served in the government there, attaining the rank of Erudite of the National University. His family may have stayed in the South. And as he returned there in 880 with an appointment to a post in Chang chou he encountered Huang Chao and his rebel horded returning from Canton. Apparently swept up by the possibility of replacing a corrupt regime, Pi joined the rebels and upon their arrival in Chang-an was made a Han-lin(翰林) Academician in the Ta-Ch’i dynasty. It soon became apparent that Huang Chao was not receptive to advice from his courtiers; many of them were persecuted for admonishing him. Although there are several accounts of Pi’s death(this is the other major concern of modern critics, but none of the theories has solid textual support), it seems most likely that Pi offended Huang Chao and was put to death by the rebel leader.
Pi Ri Xiu’s poetic legacy represents the two major tendencies of the late Tang and perhaps illustrates by its inadequacies some of the reasons for the prominent place of the new lyrics(tz’u 詞) on the literary stage of the Five Dynasties and Sung. The inner drive which seems to have steered Pi through his capricious career－from avid reformer, to recluse-poet, to rebel－in addition to the large and varied corpus he has left, make him one of the most fascinating minor literary figures of the late Tang.
Deep into autumn the acorns ripen,
Scattering as they fall into the hillside scrub.
Hunched over, a hoary-haired crone
Gathers them, treading the morning frost.
(From “Hsiang-wen tan” [ Lament of an Old Acorn-gatherer])
Having been in the capital off and on since 864, Pi passed the chin-shih(進士) examination in 867. He seems to have never been comfortable in the capital city, which was indeed not the mecca for young graduates it had been several generations earlier. Unable to find either patron or position－the two wend hand in hand in the late Tang－he went to Soochow and attached himself to the coterie of the prefect, Ts’ui P’u. in a matter of months he and Lu Kueimeng, a scion of a prominent local clan, had become fast friends. Pi traveled back to the capital and served in the government there, attaining the rank of Erudite of the National University. His family may have stayed in the South. And as he returned there in 880 with an appointment to a post in Chang chou he encountered Huang Chao and his rebel horded returning from Canton. Apparently swept up by the possibility of replacing a corrupt regime, Pi joined the rebels and upon their arrival in Chang-an was made a Han-lin(翰林) Academician in the Ta-Ch’i dynasty. It soon became apparent that Huang Chao was not receptive to advice from his courtiers; many of them were persecuted for admonishing him. Although there are several accounts of Pi’s death(this is the other major concern of modern critics, but none of the theories has solid textual support), it seems most likely that Pi offended Huang Chao and was put to death by the rebel leader.
Pi Ri Xiu’s poetic legacy represents the two major tendencies of the late Tang and perhaps illustrates by its inadequacies some of the reasons for the prominent place of the new lyrics(tz’u 詞) on the literary stage of the Five Dynasties and Sung. The inner drive which seems to have steered Pi through his capricious career－from avid reformer, to recluse-poet, to rebel－in addition to the large and varied corpus he has left, make him one of the most fascinating minor literary figures of the late Tang.
목차
Ⅰ. 序語
Ⅱ. 皮日休의 黃巢亂 加擔과 卒年
Ⅲ. 黃巢亂 前後의 皮日休 詩風
Ⅳ. 黃巢亂 그 시기의 懷古的 超脫意識
Ⅴ. 結語
참고문헌
Abstract
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