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논문 기본 정보

자료유형
학술저널
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우리문학회 우리문학연구 우리문학연구 제16집
발행연도
2003.12
수록면
413 - 440 (28page)

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It is absolutely condition for the history of Korean poetry that we study the achievements about KAPF's poets in the North Korea. Many studies about North Korea literature which had been studied or studying have in view about this. When we think the tradition of KAPF's poetry lies at the root of the history of North Korea literature and members of the KAPF from 1945 to 1950 are the main current of the North Korea literary world, the study about the KAPF takes a shortcut to understand the North Korea literature. In this fact, I checked up the poems of KAPF's poets in this background possibilities as well as controversials the History of reunification poetry from 1945 to 1950. It is an important matter that we discuss about the possibilties for describing history of reunification poetry. Many writers and critics had studied the theory of people literature after emancipation because they made an effort to make the theory of unique literature in the background of people legitimacy. As you know, from the end of the 1946, when many writers expressed supporting and understanding partisan feeling is public service about Kim Ill-Sung policy line, there were other aspects. But, it is necessary for us to think that the emancipation was placed before a few decades in the starting points of modem literature. And when we were ruled by Japanese imperialism, it was not long for us to study modern literature after emancipation. As you know in my study, because we know the importance of the study about KAPF literature is very important for us to see our literature with the unified vision in this study. The effort of getting together from the emancipation to people literature was ruined because of division. But, after that, we were able to overcome the transplantation of our literature in the higher level in this people literature line. I feel so artificial a little about that because I have studied North Korea poems from 1945 to 1950, but, at least, when I am able to explain the poems with the unified point of view, I think we can discuss about the theory of reunification poetry. In this period, if we can not present the unified point of view about literature it is because we have the risk to plow the theory of reunification poetry after that the sands. Because of the fact, it is obvious fact that the things which we had to meet obviously is the literature as aidology. Because socialistic movement in the period of the Japanese imperialism had a anti -imperialism personality, we had to go into the realistic struggles about the Japanese imperialism. After 1980s, they were writing new evaluations about the progressive poetry including KAPF's poem which wrote an original work in connection with the socialism. When we see putting myself in progressive poets' place, they think the emancipation is the entry into a new world to construct utopia which they dream. Of course, in so many words, it is difficult that we admit hero worship tendency about Kim Ill-Sung not in this political point of view but in this literary point of view. But if we cling to the matter too much, after all, we make it meaningless to suggest the problem about the theory of reunification literature. Lately, many discussions about lyric poetry character of North Korea are regarded as a part of the program for the history of reunification literature. The organization of the history of reunification literature From 1945 to 1950 has two aspects. First, there is a realism recognition of progressive writers including KAPF. In the literal)' time and space that is connecting with Japan-Seoul-Pyungyang, Japan-Pyungyang, JapaneseSeoul, because they have a realism recognition which is antiand feudalism, they have a point of sameness with the exception of Kim Ill-Sung. From 1945 to 1950 a realism recognition which were presented by young poets, Kim Sang-Whun, You Jin-O, Lee Byung-Chul, Park San-Hoon, Sang Min were very politic and socialristic. Nevertheless, if in the history of reunification literature we don't exclude them, we will discuss about that. Secondly, there is a matter of lyric character. As you know in my study, we can see the flow of the lyrics in the North Korea from 1945 to 1950. The lyrics which were written by Kim Sang-O, Seo Man-Ill, Kim Soon-Seok, Jang 500, Jeong Moon-Hyang can search for the traditional lyrics forms in the aspects of the contents or form. And then,
through the two aspects, Until the Emancipation. our duties for the research of poetry literature are the things that we are looking out for a possibilities of history of reunification poetry in the Korea.

목차

Ⅰ. 문제제기

Ⅱ. 해방기 카프시인들의 정신적 지평

Ⅲ. 해방기 카프시인들의 시적 성취

Ⅳ. 통일시문학사의 가능성과 문제점

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