지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The system of the rite and music in the Zhou周 Dynasty was in Fact a unified form of the system of the clan and patriarch of slavery and the system of the social estate. The needs of the times, that is the practice of the new rite, produced the ritual music. It settled rapidly with the support of kings of many generations. Thus, the development of ritual music represented the achievement of the music culture of the aristocratic class and the slaves in the late Bronze Age. It had a very important significance in making solid the enforcement of slavery, accumulating the practical experience of music art and developing various fields of music culture such as musical systems and instruments.
Dignity, lengthiness, moral and normative elegance and pureness of the poetry of the Book of Odes 『詩經』 which was used in the ritual music, that is, music for Classic Pieces of Poetry, were the best choice at that time in showing authority of the nobility and performing a slow and complicated ceremony. However, they continuously demanded moral education which was accomplished as a basic goal of music in secret. After all, they pursued 'the moral state' of the sound, not 'the music ideal' of the sound and came to regard the ritual music as the moral sublimation. Like this, as the ritual music was restricted in the aspect of the content and art of music itself, it was not always effective to the people even though it spoke highly of 'elegance雅' and looked down upon the 'popularity俗' in all of the periods.
Thus, it is expected that the study of generation, flourishing, enlargement and decline of the ritual music will be the foundation of examining the basic order of the Four Arcs 四術 as well as the Chinese rite and music and the best solid basis for Chinese ancient culture study. Furthermore, it is expected that the attempt of the bilateral approach to the relationship between the ritual music and the Book of Odes will work as a milestone which will watch the East Asian music and literature as well as Chinese music and literary tradition.
Dignity, lengthiness, moral and normative elegance and pureness of the poetry of the Book of Odes 『詩經』 which was used in the ritual music, that is, music for Classic Pieces of Poetry, were the best choice at that time in showing authority of the nobility and performing a slow and complicated ceremony. However, they continuously demanded moral education which was accomplished as a basic goal of music in secret. After all, they pursued 'the moral state' of the sound, not 'the music ideal' of the sound and came to regard the ritual music as the moral sublimation. Like this, as the ritual music was restricted in the aspect of the content and art of music itself, it was not always effective to the people even though it spoke highly of 'elegance雅' and looked down upon the 'popularity俗' in all of the periods.
Thus, it is expected that the study of generation, flourishing, enlargement and decline of the ritual music will be the foundation of examining the basic order of the Four Arcs 四術 as well as the Chinese rite and music and the best solid basis for Chinese ancient culture study. Furthermore, it is expected that the attempt of the bilateral approach to the relationship between the ritual music and the Book of Odes will work as a milestone which will watch the East Asian music and literature as well as Chinese music and literary tradition.
목차
1. 들어가며
2. 雅樂의 형성과정
3. 雅樂의 흥성과 『詩經』
4. 나오며
參考文獻
Abstract
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