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논문 기본 정보

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학위논문
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엄미경(明俊) (동국대학교, 동국대학교 일반대학원)

지도교수
김용태
발행연도
2021
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이 논문의 연구 히스토리 (2)

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The Seonyo gi (禪要記) of Baekpa Geungseon (白坡亘璇, 1767-1852) is a personal annotation (Sagi 私記) to Gobong Wonmyo Seonsa Seonyo 高峰原妙禪師禪要 (hereafter, Seonyo 禪要). As a guidance to the practice of Ganhwa Seon, Seonyo has been considered an important recorded sayings (語錄) by many Seon practitioners. Nevertheless, the Seonyo and its personal annotations have not been much studied. This thesis includes an annotated translation of a manuscript of Seonyo gi (D 219.7 긍53 ㄱㄱ2), which is stored in the library of Dongguk University, and a manuscript of the Seonyo sagi 禪要私記, which is provided by the Archives of Buddhist Culture(ABC) of Buddhist Academy, Dongguk University, was used as a contrasting copy. The Seonyo sagi, which is currently reserved in Wongaksa Temple (圓覺寺), was originally transcribed at Seonamsa Temple (仙巖寺) in the 15th year(1849) of King Heonjong’s reign. For the convenience of readers, page numbers follows that of the Seonyo gi and the front and back sides are marked with above and below (上下) just as in the traditional way.
Based on the translation, the research part of Ⅰ, 2. ‘Gobong Wonmyo’s Seonyo 禪要 and Baekpa Geungseon’s Seonyo gi 禪要記 is divided into 1) ‘Gobong Wonmyo’s Life and Seonyo 禪要’ and 2) ‘The life of Baekpa Geungseon and Seonyo gi 禪要記’. 3. ‘The main concept of Seonyo gi 禪要記 and Baek-pa’s point of view’ is divided into 1) ‘Baekpa’s position on the Seon thoughts of Seonyo 禪要’ and 2) ‘three types of Seon of Seonyo gi 禪要記’. 4. ‘Characteristics of Baekpa Geungseon Seon thoughts’ consistes of 1) ‘The view of reconcilation centered on Josa Seon (祖師禪)’, 2) ‘The view of mutual communication as ‘Perfact Base and Perfact Use(大機大用)’’, 3) ‘The view of upwards and downwards (向上向下) as consummate intergration’ and 4) ‘The view of the three types of Seon as the stages of Ganhwa seon cultivation’. Based on this, the doctrinal thought of Seonyo gi has been examined based on the Seonyo, and it has been demonstrated that Seonyo gi is written by comparing each concepts of the Seonmun sugyeong 禪文手鏡 by Baekpa, who said that Seon literature is just like a hand mirror, to each sentences and phrases of Gobong’s Seonyo.
In discussing Baekpa’s thought, the three types of Seon are often mentioned, but the main point of his thought may be seen ‘Perfact Base and Perfact Use(大機大用)’ of Josa Seon. As can be seen from the title of his inscription in Seonunsa Temple (禪雲寺), Baekpa’s core view may be said ‘Perfect Base and Perfect Use.’ ‘Perfact Base’ can consummately responses (圓應) only along with ‘Perfact Use’, and ‘Perfact Use’ also can be straightforward (直截) when it becomes ‘Perfact Base’. Therefore, these are of the same nature. When a teacher treats delusions straightforward by ‘Perfect Use’ for a student who has ‘Perfect Base’, the teacher’s ‘Perfect Base’ appears; when the student consummately responses to the teacher, the student’s ‘Perfect Use’ shows. Although ‘Perfact Base’ and ‘Perfact Use’ are distinguished, ‘Use’ cannot be outside of ‘Base’, and vice versa So ‘Perfact Use’ is in ‘Perfact Base’ and vice versa. Likewise, ‘Perfect empty(眞空)’ cannot be achieved without ‘Profoundly things (妙有)’, and vice versa.
Baekpa spread out all the concepts and ideas as if they were separated and divided, but what he ultimately argued is that one truth is differently taken by those with variant spritual abilities and comes to bedivided into three types of Seon and thereby unfolded in different ways. Each of them acts as a means of the other, and thus the three types of Seon ultimately constitutes a expedient means for reconcilation, not a discriminatory division. In the core of his three types of Seon lies the Perfact Base and Perfact Use (大機大用), and it ultimately leads to the Perfact Base and Perfact Use. This is the main axis of the Baekpa Geungseon’s thought.
Compared to Seonyo, which emphasized the importance of practicing Hwadu Seon centered on the three main points of Ganhwa Seon, Baekpa explained Ganhwa Seon through the three types of Seon practices in association with Gobong’s views. Baekpa assigned a beginner’s intellectual enlightenment attained through the practice of Hwadu with discernment of thoughts to Uili Seon (Reason Seon 義理禪); the encounter with the original self by Gobong’s break of the Hwadu to Yeolae-Seon (Tathagata Seon 如來禪); and the perfect enlightenment by attaining the great achievement of first step towards improvement to Josa Seon (Patriarch Seon 祖師禪).
Baekpa demonstarated that the practical orders or soteriological steps of Ganhwa Seon was explained in the three types of Seon by returning the contemporary emphasis on Linji and Ganhwa Seon to Josa Seon. Although the teacher showed the truth as Josa Seon, a first-time student (beginner) who could not understand it immediately should fall into the category of Uili Seon, where Hwadu was studied with reason and discernment of thoughts. So one truth comes to take three distinct types of Seon--Josa Seon, Yeolae Seon, and Uili Seon. The reason why Baekpa presented the three types of Seon was not to show differences, but rather to show that the truth ultimately leads to the only Seon, namely, Josa Seon, through expedients of the distinct steps of Ganhwa Seon practice In the end, Baekpa discussed the three types of Seon to focus on reconcilation, not discrimination, and this is the main point of Baekpa Geungseon’s Seon thoughts.

목차

Ⅰ. 백파 긍선 『禪要記』 연구
1.서론1
1) 연구의 목적과 문제제기 1
2) 연구범위와 방법 4
2. 고봉 원묘의 『禪要』와 백파 긍선 『禪要記』 12
1) 고봉 원묘의 생애와 『선요』 12
(1) 고봉 원묘의 행적과 수행 기풍 12
① 시대 상황과 행적 13
② 출가와 수행 15
③ 화두참구의 수행행로 19
④ 선의 기풍 22
(2) 용공차제적 구성의 『선요』 24
① 편찬체계 24
② 구성내용 26
(3) 『선요』의 판본과 유통 33
① 『선요』의 판본 33
② 『선요』의 유통 46
2) 백파 긍선의 생애와 『선요기』 50
(1) 백파 긍선의 행적과 저술의 특성 50
① 백파 긍선의 행적 50
② 저술의 유형과 특성 51
(2) 『선요기』의 구성 및 서술방식 56
① 『선요기』의 구성 체계 56
② 『선요기』 서술방식의 특징 63
(3) 『선요기』 필사본의 유행 68
3. 『선요기』의 주요 개념과 백파의 관점 78
1) 『선요』의 선사상에 대한 백파의 입장 79
(1) 간화선의 삼요 79
① 대신근 78
② 대분지 82
③ 대의정 88
(2) 화두참구 수행 95
① 화두참구법 95
② 제시된 화두 100
③ 화두참구의 공과 106
(3) 향상의 일착자를 향한 용공차제 109
① 공부인의 자세 109
② 선병 112
③ 고일착 114
④ 무심삼매 116
⑤ 간화의 구경 117
2) 삼종선 개념으로 구성된 『선요기』 123
(1) 조사선 129
① 조사선삼요 129
② 대기대용 133
③ 진공묘유 137
④ 살활 144
⑤ 조용 150
(2) 여래선 152
① 존귀가풍 152
② 삼현과 권실 154
③ 일촉파삼관 155
④ 일구와 삼구 156
⑤ 신훈과 본분 159
(3) 의리선 163
① 의리선 삼구 164
② 격외선과 의리선 166
4. 백파 긍선 선사상의 특징 172
1) 조사선 위주의 회통관 172
(1) 조사선에 입각한 선요관 172
(2) 조사선 우위의 삼종선 회통관 174
2) 대기대용으로의 상통관 180
(1) 조사선 개념간의 대기대용 181
(2) 여래선과 대기대용 186
(3) 의리선과 대기대용 188
3) 원융적 향상향하관 191
(1) 수직적 향상향하 191
(2) 수평적 향상향하 194
(3) 향상적 향상 196
4) 간화선 수행차제로서의 삼종선관 198
(1) 의리선적인 초참자의 화두참구 199
(2) 일각주인공 단계의 여래선 204
(3) 확철대오한 대기대용의 조사선 210
5. 결론 216
참 고 문 헌 225
ABSTRACT 237
Ⅱ. 백파 긍선 『禪要記』 역주
일러두기 242
禪要序 244
禪要跋 260
1. 開堂普說 273
2. 示衆 307
3. 示直翁居士 洪新恩 329
4. 結制示衆 339
5. 示衆 342
6. 解制示衆 350
7. 示衆 352
8. 立限示衆 367
9. 示衆 369
10. 晩參 376
11. 示信翁居士 洪上舍 379
12. 示衆 392
13. 結制示衆 400
14. 示衆 404
15. 端陽示衆 408
16. 示衆 411
17. 示理通上人 419
18. 示衆 420
19. 解制示衆 426
20. 示衆 429
21. 除夜小參 437
22. 示衆 450
23. 結制示衆 454
24. 示衆 456
25. 除夜小參 463
26. 示衆 466
27. 答直翁居士書 474
28. 通仰山老和尙疑嗣書 484
29. 室中三關 499
後記 500
附錄(Appendix)
『禪要記』 筆寫本 501

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