본연구는 안도 다다오(Ando Tadao)의 건축적 산책로를 연구 대상으로 삼아 산책로를 통해 연속성과 다차원적으로 구성된 공간적 특성, 산책로를 통해 사람에게 발생하는 유도성과 구심성, 감각의 통합 및 오감 자극을 통한 건축적 산책로의 감각적 자극의 3가지 방면에서 작품에 포함된 건축적 산책로의 특성을 분석하였으며 나아가 안도 다다오의 건축작품에 대한 전반적인 연구도 진행하였다. 우선，안도 다다오의 개인적인 경력과 건축공간에 대한 이해를 더하였으며 르 꼬르뷔지에와 일본의 전통적인 건축물에서 영향을 받은 것을 확인하였다. 안도 다다오는 동양문화에서 자연을 존중하고 자연과 하나로 융합하는 자연관을 계승하였지만 여기에 얽매이지는 않았다. 안도 다다오는 자연에 대해 자신만의 독특한 견해와 표현 방식을 가지고 있었으며 부드럽게 ''반항''하는 방식으로 대자연 속의 요소를 추상적으로 자신의 건축을 표현하기 위한 하나의 요소로 사용했다. 다른 한편으로는 모더니즘과 일본 전통건축이 미친 영향으로 자연을 등한시하게 되었지만 그는 사람들이 자발적으로 접촉할 수 있는 자연의 공간을 남겼다. 아름다운 자연환경 속에서 그는 건축물을 다시 자연으로 회귀시킨 것으로 이러한 다양한 처리 방식은 안도의 건축이 자연을 대하는 이념을 나타낸다.
다음으로는 고대의 비탈길. 르 꼬르뷔지에 (Le Corbusier) 산책로의 분석 및 일본의 전통적인 건축적 산책로의 특성에 따른 구성의 특징을 분석하였다. 건축적 산책로는 공간이 평면으로 만들어져 항상 자연 및 사람을 둘러싼 행위에 기초를 두고 있으며, 산책로의 연속성과 다차원적으로 구성된 공간적 특성, 산책로를 통해 사람에게 발생하는 유도성과 구심성, 감각적 통합 및 오감의 자극을 통해 산책로의 감각적 자극를 형성하고 건축물에서 추상적 물체와 사람의 변증적 관계에 대한 본질을 나타냈다.
마지막으로 안도 다다오의 건축적 산책로의 개성, 건축물 주변 공간의 여백, 계단, 다리 및 공간구조 중심축의 반복적인 운동, 벽과 공간의 득과 실을 총정리하였다. 안도 다다오는 실체를 조각하는 예술을 추구하였는데 건축 공간의 구축에서 그가 추구하는 것은 ''도(道)''의 연속된 공간으로 일본 전통의 ''도(道)''의 공간을 확장했다. 연구의 결론에서 안도 다다오의 건축 창작에 대한 시사점과 의미를 제시하여 오늘날 건축물 창작에 참고와 본보기를 제공하고자 하였다.
The study begins with an understanding of Tadao Ando''s personal experience and the impact of Ando''s architectural space on Le Corbusier and traditional Japanese architecture. Then, based on the creation of ancient ramps, the analysis of Le Corbusier''s promenade, and the characteristics of the promenades of traditional Japanese architecture, a preliminary study was conducted to develop the impact of Le Corbusier on modern Japanese architecture and the effects of Common characteristics. Therefore, the influence of Le Corbusier and traditional Japanese architecture in the whole process of the formation of Ando was mainly evaluated, and the possibility of a new analysis of Tadao Ando''s architecture was proposed. Based on this possibility, I analyzed Tadao Ando''s "architectural walking path" based on three characteristics that Tadao Ando extracted from Le Corbusier and traditional Japanese architecture. The results are as follows. First, Tadao Ando''s architectural promenade revealed the existence of promenades for the first time in early residential buildings. After the strong recognition of the living space, the promenade contains complex spatial relationships through a simple and closed reference environment, emphasizing the direct participation of the body, and using the dynamic lines and composition of the road to influence the shape and light of the building. Restraint and guide visitors, visitors can look for peace and psychological reliance in modern architectural space. At this stage, the main role of the promenade is to fuse the main body of the building with nature through the cutting of geometric bodies, to build human and natural contact, so as to maximize the space experience. Unlike Le Corbusier, Tadao Ando, influenced by traditional Japanese thought, raised the height of the outer wall (스 미요시 나가,1976), but because of the concealment of the exterior, the interior space was more flexible. Sex is used to the most open degree. Therefore, the principle of "the climax of the promenade in the roof garden" was broken. Learn about Tadao Ando''s personal experience and architectural space, and the impact he has had on Le Corbusier and traditional Japanese architecture. Tadao Ando inherited the view of nature in Eastern culture that respects and integrates with nature, but is not limited to it. Have his own unique views and expressions of nature. In a gentle "confrontation", he used the elements in nature in an abstract way as his own expression of architecture; on the other hand, in the environment of the influence of modernism and traditional Japanese architecture, In an environment far away from nature, he took the initiative to leave a space for people to contact nature; in a beautiful natural environment, he returned the building to nature. These different treatments also reflect Ando''s creative approach to nature.
Secondly, Tadao Ando''s promenade is closely related to Le Corbusier''s "narrative" design. Tadao Ando emphasizes the function of the promenade on space and interaction with people. Le Corbusier often uses turning or spiral slopes. The Tao increases the interest of space and human interaction. This once again proves the diversity of Tadao Ando''s architectural style. Tadao Ando''s architectural growth was greatly influenced by Le Corbusier, but because of his unique growth environment and the influence of traditional Japanese architecture, he added different architectural elements. Third, through the analysis of the characteristics of the promenade in space, Ando''s promenade focuses on the expression of human interest in space. It shows Tadao Ando''s functional differentiation of the nature of space, and constructs the continuity and multidimensionality of the replacement process that are attractive to humans. This can be said to be the result of Tadao Ando''s use of spatial multidimensionality and moving line settings to complete the space of the promenade. Fourth, through the implication of human behavior, inducement finds a different way from the past and present in the architectural space and uses it, and induces continuous communication between people and space through promenades and surrounding environmental cognition. As a relatively inflexible endowment, his design does not break the direction of human beings through words, logos, etc., but instead forms a unique hinting space for walking paths. Therefore, in Ando''s works, the promenade becomes an expression of coexistence with space. The concentricity generated by the promenade is the same as the inducement, emphasizing the unique locality of the building''s location, using the different personalities of the locality, and pursuing local historical values to meet human behavior characteristics.
Fifth, through the fusion of symbiosis, a unique symbiosis space is formed, and the characteristics of the architectural space are directly accepted by people. Rich natural stimuli, novel space structures, and overwhelming concrete high walls are integrated with human sensory experience. The more you experience, the more you can feel the depth of the architectural space. The guidance of the promenade, abandoning the inherent concept of the promenade, makes the five senses “shield-open-shield-release” alternate with each other, and the spatial perception is just right. The common materials are unfamiliar combinations and transformed into non-daily experiences Sense, so that humans can feel the coquettishness from space, and the memory of space can also last forever.
Secondly, based on the analysis of the emergence of ancient ramps, the analysis of Le Corbusier''s promenade, and the characteristics of the promenades of traditional Japanese architecture, this paper analyzes the characteristics of the architectural promenade. In the process of generating spatial planes, architectural roads are always based on behavioral activities that surround nature and people. Through the promenades, they constitute a continuous and multidimensional spatial characteristic. The inductive and centripetal properties of people through the promenades, through sensory fusion. And through the stimulation of the five senses to realize the sensory stimulation of the walking path to form a dialogue between natural space and human behavior, the nature of the dialectical relationship between abstract objects and people can be reflected in the construction of the building.
Finally, I summarize the individualization of Tadao Ando''s architectural roads, the space around the building is left blank, the repeated movements of the central axis of the stairs, the overpass and the space structure, the wall and the space. Tadao Ando pursues artistic physical carving; in the construction of architectural space, he pursues a continuous space of "Tao", which expands the traditional Japanese "Tao" space in dimensions. In the concluding section, a comprehensive summary of the inspiration and significance of Tadao Ando''s architectural creation is provided to provide reference and reference for the current architectural road creation.
목차
1.0 서론 11.1 연구의 배경 및 목적 21.2 연구의 범위 및 방법 41.3 연구 흐름도 52.0 안도 다다오 공간에 대한 고찰 62.1 안도 다다오의 생애 72.1.1 유년기 및 복서 기간 72.1.2 유럽 건축 투어 시간 92.1.3 사무소 설립 92.2 모더니즘와 일본 전통 건축의 영향 112.2.1 모더니즘의 확립 및 예술적 특성 112.2.2 일본 전통 건축의 성립 공간요소 및 전통문화 요소 112.3 소결 123.0 건축적 산책로에 관한 연구 143.1 공간과 건축적 산책로 153.2 공간과 구성에서 산책로의 구성 방법 183.2.1 근·현대 건축적 산책로의 고찰 183.2.2 르 코로부지에의 산책로 구성 193.2.3 일본 전통건축의 산책로 구성 273.3 건축적 산책로의 특성 연구 333.3.1 건축적 산책로의 고찰 333.3.2 건축적 산책로의 특성 34(1) 공간 특성 36(2) 사람의 활동적 특성 37(3) 감각적 특성 403.4 소결 424.0 안도 다다오의 건축적 산책로 특성 연구 434.1 안도 다다오와 건축적 산책로 특성 연구 444.2 사례분석 기준 504.2.1 사례분석 대상 및 범위 504.2.2 사례분석 방법 514.2.3 사례분석 틀 524.3 사례분석 544.4 소결 685.0 결론 71참고문헌 74Abstract 79
