목차

Ⅰ. 서론 ·························································································· 1
1. 연구의 필요성 및 목적 ······························································ 1
2. 연구문제 ·················································································· 3
Ⅱ. 이론적 배경 ··············································································· 4
1. 목소리 ····················································································· 4
2. 치료사의 목소리 사용 ······························································· 5
Ⅲ. 연구 방법 ·················································································· 9
1. 연구설계 ·················································································· 9
2. 현상학적 연구 ·········································································· 9
1) 개념 및 이론적 전제 ·········································································· 9
2) Giorgi의 현상학적 연구방법 ······························································· 10
3. 자료 수집 및 방법 ···································································· 11
1) 연구 참여자 ······················································································ 11
2) 연구 참여자에 대한 윤리적 고려 ························································· 12
3) 연구 도구로서의 연구자 ····································································· 12
4) 자료수집 방법 ··················································································· 13
5) 자료 분석 ························································································· 14
4. 질적 연구의 평가 기준 ······························································ 15
Ⅳ. 연구 결과 ·················································································· 17
1. 음악치료사의 목소리 사용 경험의 구성요소 ································· 20
1) 목소리를 통한 자기 노출 ·································································· 20
2) 대상과 상황에 따라 달라지는 목소리 사용 ········································· 23
3) 치료사의 성향에 따른 목소리 사용 ····················································· 26
4) 치료적 목적을 위한 목소리 사용 ························································ 27
5) 목소리 사용으로 인한 내담자와의 긍정적인 음악적 경험 ······················· 30
6) 음악치료 도구로서의 목소리 사용의 어려움 ·········································· 32
7) 만족스럽지 않은 목소리의 변화 시도 ·················································· 35
2. 음악치료사들의 목소리 사용 경험의 본질 ···································· 39
Ⅴ. 결론 및 논의 ·············································································· 41
참고 문헌 ························································································ 45
부록 ································································································ 49