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자료유형
학술저널
저자정보
정수경 (인천가톨릭대학교)
저널정보
한국색채학회 한국색채학회논문집 한국색채학회논문집 제38권 제1호(통권 제101호)
발행연도
2024.2
수록면
73 - 80 (8page)
DOI
10.17289/jkscs.38.1.202402.73

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이 논문의 연구 히스토리 (4)

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This study focuses on analyzing the color scheme of the stained glass of the Yoon Ji-chung catholic church in the Diocese of Jeonju, the Christian symbolism of colors, and the correlation between architectural space. The stained glass of Yun Ji-chung"s catholic church introduces both traditional and modern techniques depending on the location and subject of the windows. The colors are composed considering the transparent properties of stained glass, where light directly intervenes, and the characteristics of colored shadows, the location, shape, and orientation of the windows inside the church were analyzed and applied. In addition, the work was carried out in a way to form a flow of colors within the space by actively reflecting the Christian symbolism of colors that fit the nature of the architecture as a catholic liturgical space. In this way, the color of the stained glass of Yun Ji-chung catholic church plays a role in unifying the space inside the building by appropriately controlling the quality of light coming from the window and at the same time giving symbolism. And it presents the possibility that stained glass art can be widely applied not only to religious architecture but also to various secular architecture.

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Abstract
1. Introduction
2. Stained glass color plan
3. Stained glass color application results
4. Conclusion and Proposal
References

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