지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 중앙대학교 일본연구소 일본연구 일본연구 제60집
- 발행연도
- 2024.2
- 수록면
- 163 - 182 (20page)
- DOI
- 10.20404/jscau.2024.02.60.163
이용수
초록· 키워드
오류제보하기
This article examines the variation patterns of the Japanese tale “The Monkey’s Liver.” The research covers 24 episodes that have been handed down in different regions of Japan and examines various aspects of the characters and motifs.
Versions of “The Monkey’s Liver” can be divided into three groups based on content. The stories in the first group end with failure to acquire a living liver due to the “confession” of an aquatic animal other than a jellyfish. Versions in the second group feature an origin story in which a jellyfish makes a “confession,” fails to acquire a living liver, and ultimately loses its bones. Stories in the third group tell of a turtle’s failure due to a jellyfish’s taunts. These stories also feature an origin story explaining how the jellyfish came to have no bones.
Considering that the second group of stories is the largest and that the jellyfish character has the most appearances overall, it is quite understandable why this tale is also called “The Boneless Jellyfish” or “The Errand Jellyfish.” However, the appearance of this third character and the addition of related motifs can be considered a differentiating feature from the Chinese and Korean tales, which only contain land and aquatic animals.
Versions of “The Monkey’s Liver” can be divided into three groups based on content. The stories in the first group end with failure to acquire a living liver due to the “confession” of an aquatic animal other than a jellyfish. Versions in the second group feature an origin story in which a jellyfish makes a “confession,” fails to acquire a living liver, and ultimately loses its bones. Stories in the third group tell of a turtle’s failure due to a jellyfish’s taunts. These stories also feature an origin story explaining how the jellyfish came to have no bones.
Considering that the second group of stories is the largest and that the jellyfish character has the most appearances overall, it is quite understandable why this tale is also called “The Boneless Jellyfish” or “The Errand Jellyfish.” However, the appearance of this third character and the addition of related motifs can be considered a differentiating feature from the Chinese and Korean tales, which only contain land and aquatic animals.
목차
1. 서론
2. 등장인물의 변이양상
3. 모티브의 변이양상
4. 결론
参考文献
Abstract
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