지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 중앙대학교 일본연구소 일본연구 일본연구 제60집
- 발행연도
- 2024.2
- 수록면
- 115 - 141 (27page)
- DOI
- 10.20404/jscau.2024.02.60.115
이용수
초록· 키워드
오류제보하기
This study aimed to examine the genre codes of the Denki Shosetsu in 1980s Japan and how they have been reflected in Kasai Kiyoshi’s Vampire Wars. It also aimed to explore the relationship between Vampire Wars and the perception of the Denki Shosetsu at that time, as well as Kasai’s criticism of the genre.
In 1980s Japan, there was much mention of the Denki Shosetsu, and various sources, such as magazine features, have confirmed the genre codes. Kasai intentionally concentrated various genres’ characteristics in Vampire Wars and ensured that the work’s features matched the genre codes of the Denki Shosetsu that were disseminated in the 1980s.
In the process, the inconsistency between Kasai’s authorial and critical positions was revealed. Vampire Wars reflects the concept of “broad Denki Shosetsu,” beyond his critical scope, accidentally connecting the concept of the Denki Shosetsu in the 1920s and the post-1990s situation. Vampire Wars not only shows the strong presence of the Denki Shosetsu in the 1980s, but it is also a symbolic work that penetrates the modern and contemporary history of the Denki Shosetsu in Japan.
In 1980s Japan, there was much mention of the Denki Shosetsu, and various sources, such as magazine features, have confirmed the genre codes. Kasai intentionally concentrated various genres’ characteristics in Vampire Wars and ensured that the work’s features matched the genre codes of the Denki Shosetsu that were disseminated in the 1980s.
In the process, the inconsistency between Kasai’s authorial and critical positions was revealed. Vampire Wars reflects the concept of “broad Denki Shosetsu,” beyond his critical scope, accidentally connecting the concept of the Denki Shosetsu in the 1920s and the post-1990s situation. Vampire Wars not only shows the strong presence of the Denki Shosetsu in the 1980s, but it is also a symbolic work that penetrates the modern and contemporary history of the Denki Shosetsu in Japan.
목차
1. 서론
2. 1980년대의 전기소설 인식과 가사이의 전기소설론
3. 제1부와 협의의 전기소설
4. 제2부, 제3부와 광의의 전기소설
5. 결론
参考文献
Abstract
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