지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2024.1
- 수록면
- 13 - 24 (12page)
이용수
초록· 키워드
오류제보하기
This study aims to compare and analyze spiral spaces in contemporary architecture that Vidler treated very importantly in the form of spatial warping with a focus on his Warped Space and the Murinsel in whose architectural design the contemporary artist Vito Acconci participated, thus examining the direction of the 21st-century architecture that Vidler tried to propose through his Warped Space. The findings were summarized as follows: first, Intermediary art, which Vidler argued as another aspect of Warped Space, was a concept to commonly refer to works of art including movies and photographs that could explain or supplement the composition and interpretation of space warp in a metaphysical or physical manner; second, the space of space distortion presented in Vidler"s"s Warped Space must meet the conditions that the space of the central vanishing point that causes anxiety through gaze dispersion must be limited in addition to the rotating space that completes the three-dimensional perspective; third, analysis results based on the application of Vidler"s Warped Space show that Murinsel has lines of movement or spaces that rotate to complete a three-dimensional viewpoint and the characteristics of space configuration to exclude a central vanishing point that causes anxiety; and finally, Osaka University of Arts of Department of Art Science by SANAA was a further advancement from Warped Space not only by fulfilling the conditions of Vidler"s Warped Space, but also by showing space configuration to satisfy both spiral lines of movement and spaces unlike other contemporary buildings whose spiral spaces were clearly distinguished from spiral lines of movement.
목차
Abstract
1. 서론
2. Warped Space의 중간예술과 아콘치의 예술작품
3. Warped Space에서의 공간적 왜곡
4. Warped Space과 나선형 공간 비교연구
5. 결론
REFERENCES
참고문헌 (12)
참고문헌 신청
Benjamin, W. & Choi, S. (2009). Das Kunstwerk im Zeitaller senier technische Reproduzierbarkeit kleine geschiche der photographie, Gil, 90.
Choi, H. (2022). A comparative study of Anthony Vidler's warped space and vertical movement ramp space based on object relations theory - Focusing on villa Savoye and Guggenheim museum, Journal of the Architectural Institute of Korea, Planning and Design Section, 38(9), 168, 169, 170.
Chung, S. (2011). Inquiry on the body arts of chris burden and Vito Acconci of the 1970s, Journal of Contemporary Art Studies, 15(1), 233, 241.
Jeoong, Y. (2017). A Study on Images and Expressions of Trauma of Masochism-Focusing on my Works, Thesis, Dankook University, 28.
Jin, W. (2010). Vitto Acconcl’s Mur island: A challenge to deterritorialization of art and design, Journal of History of Modern Art, 27. 201, 210.
Choi, H. (2022). A comparative study of Anthony Vidler's warped space and vertical movement ramp space based on object relations theory - Focusing on villa Savoye and Guggenheim museum, Journal of the Architectural Institute of Korea, Planning and Design Section, 38(9), 168, 169, 170.
Chung, S. (2011). Inquiry on the body arts of chris burden and Vito Acconci of the 1970s, Journal of Contemporary Art Studies, 15(1), 233, 241.
Jeoong, Y. (2017). A Study on Images and Expressions of Trauma of Masochism-Focusing on my Works, Thesis, Dankook University, 28.
Jin, W. (2010). Vitto Acconcl’s Mur island: A challenge to deterritorialization of art and design, Journal of History of Modern Art, 27. 201, 210.
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-151-24-02-089217509