지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이 논문의 연구 히스토리 (2)
- 이 논문의 후속연구가 궁금하신가요?
- 연관 학술논문 또는 학술발표를 통해 보다 발전된 연구결과를 확인하실 수 있습니다.
- 이 논문의 연구 히스토리 확인하기
초록· 키워드
오류제보하기
In the early 1980s, as Christians have increased noticeably, the public desire concerning christianity began to emerge culturally. At first, it emerged from the literature. This phenomenon went spread to making films which were based on the literature-essays, novels, biographies, such as Towards The High Place, Bright Road Leading To Heaven, The Invited Ones, I Was the Halleluiah Woman, Come Down to a Lower Place, Children of Darkness, People in the Slum. These films were box-office hits, by virtue of the Christian audience. To the Christian audience, Watching the religious films meant attending a worship by experiencing sacrifice indirectly. Especially, the films such as Towards The High Place, Bright Road Leading To Heaven, The Invited Ones, which took theme of martyrdom as its motif, offered the sacrifice fantasy to the audience.
Meanwhile, I Was the Halleluiah Woman, Come Down to a Lower Place were the films dealing with the personal hardships and trials that makes its momentum for the growth or development to realize the presence of God. While the development means church growth in I Was the Halleluiah Woman, the growth means realization of God or reconciliation with father in Come Down to a Lower Place. These films showed how huge craving for power and father compared to God, can be connected with the capitalistic desire.
In contrast to those films, Children of Darkness and People in the Slum dealt with the possibilities on the salvation of prostitutes, pimps, gangsters, swindlers. In these films, there were no God’s responses like the development and growth, the capitalistic reward. Therefore, these films criticized Korean main stream churches that regard development and growth, the capitalistic reward as God’d response, through Minjung(民衆) theological imagination.
#기독교
#영화
#1980년대 초
#아버지-신
#관객성
#신에게 말걸기
#신의 응답
#희생제의
#순교
#민중 신학적 상상력
#자본주의적 가부장제
#<
#저 높은 곳을 향하여>
#<
#하늘 가는 밝은 길>
#<
#초대받은 사람들>
#<
#나는 할렐루야 아줌마였다>
#<
#낮은 데로 임하소서>
#<
#어둠의 자식들>
#<
#꼬방동네 사람들>
#Christianity
#Films of early 1980s
#Spectatorship
#Calling God
#God's response
#Martyrdom
#Sacrifice rites
#Minjung(民衆) theological imagination
#Capitalistic patriarchy
#Towards The High Place
#Bright Road Leading To Heaven
#The Invited Ones
#I Was the Halleluiah Woman
#Come Down to a Lower Place
#Children of Darkness
#People in the Slum
목차
등록된 정보가 없습니다.
참고문헌 (0)
참고문헌 신청이 논문의 저자 정보
최근 본 자료
댓글(0)
0