지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이 논문의 연구 히스토리 (2)
- 이 논문의 후속연구가 궁금하신가요?
- 연관 학술논문 또는 학술발표를 통해 보다 발전된 연구결과를 확인하실 수 있습니다.
- 이 논문의 연구 히스토리 확인하기
초록· 키워드
오류제보하기
In Cloud Nine, Churchill deconstructs the notion of gender imposed by hegemonic heterosexual ideology in a ritualized style. The characters attain their sexual subjectivity through the rituals of calling out pre-patriarchal goddesses and performing autoeroticism. Their pleading of becoming-woman corresponds to what Gilles Deleuze called becoming- other/woman in the process of subject-formation and their “upside down” state of “cloud nine” is associated with Victor Tuner’s notion of liminality. With the creative, subversive potential of liminality, the characters have the ability to transcend all gender boundaries and perform a becoming-other. They remove themselves from oppressive cultural norms and demonstrates new directions and possibilities of gender identity. They establish an alternative home/community in line with communitas, which is an ideal community in liminality. The play emphasizes the process of transformation with open- endedness rather than suggests any conclusion so that the audience can participate in a new signification. Their communitas invites the audience to seek alternative future possibilities in cooperation.
목차
등록된 정보가 없습니다.
참고문헌 (0)
참고문헌 신청이 논문의 저자 정보
최근 본 자료
댓글(0)
0