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논문 기본 정보

자료유형
학술저널
저자정보
이연희 (한양대학교) 박선희 (이화여자대학교)
저널정보
한국의상디자인학회 한국의상디자인학회지 한국의상디자인학회지 제24권 제3호
발행연도
2022.9
수록면
17 - 31 (15page)

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초록· 키워드

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The purpose of this research is to suggest diverse directions for eco-friendly knit designing through analyzing the characteristics of Stella McCartney’s knit designs. The first stage of the research was to explore the characteristics of eco-friendly fashion design based on literature review. The next stage was to categorize the characteristics of eco-friendly design found in Stella McCartney’ knit fashion based on the precedent analysis. The data collected showed 274 examples from 40 Stella McCartney collections, including Spring, Resort, Pre-Fall, and Fall Ready-to-wear collections between 2013 and 2022. All information was collected using www.vogue.com. As a result, the characteristics of Stella McCartney’s knit design were classified into four directopms: 1) Perpetual Naturalism, 2) Cultural Complexity, 3) Practical Functionality, and 4) Subcultural Reproducibility. The first characteristic, ‘Perpetual Naturalism’ values the continuous symbiosis between animals and human beings, thereby protecting global environmental value. Stella McCartney’s knit design continuously showed a longing for nature’s beauty through fashion design, which allowed people to enjoy the meaning of symbiosis between human beings and animals. Second, ‘Cultural Complexity’ is the characteristic that appears in Stella McCartney’s knit fashion design when collaborating with various artists and/or mixing traditional knit motives inspired by traditional cultures and retro moods. Third, ‘Practical Functionality’ is the design characterisitic that allows items to be worn for a long time as it is comfortable, simple, and practical. Stella McCartney’s knit designs pursue easy-to-wear designs that are comfortable and have practical designs with simple details. Lastly, ‘Subcultural Reproducibility’ showed in Stella McCartney’s knit designs reflect Hippie culture, which pursued a rejection of conventional values, and promoted sustainable energy. This culture peaked in the 1960s and 1970s, when ‘Beatles’ were mainly working. Additionally, retro styled knit designs inspired by other various music genres from the 1980s and 1990s appeared in this category as well.

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Abstract
Ⅰ. 서론
Ⅱ. 이론적 고찰
Ⅲ. 스텔라 맥카트니 니트 디자인에 나타난 친환경 디자인 분석
Ⅳ. 요약 및 결론
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