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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 한국미술연구소 미술사논단 美術史論壇 제54호
- 발행연도
- 2022.6
- 수록면
- 91 - 110 (20page)
- DOI
- 10.14380/AHF.2022.54.91
이용수
초록· 키워드
오류제보하기
Kim Hwan (金煥, 1893~unknown) played a key role in the first literary magazine, Changjo . And he presented his art theory for the first time in the history of modern Korean art. However, the evaluation of Kim Hwan has been devalued due to preceding researchers’ his lack of understanding of the Japanese art school and the Japanese modern art world when he studied at the time. Therefore, it did not receive much attention in the field of art history. Contrary to the existing assessment that the Japanese Art School was a private academy, the Japanese Art School was a theory-oriented formal university that aims for comprehensive art education that integrated the production of works, viewing and criticism.
While reviewing the Japanese art school, this article attempts to examine his art theory by comparing it with Shimamura Hogetsu(1871~1918)’s impressionist art theory. Kim Hwan’s art theory resonates deeply with Shimamura’s post-naturalism or impressionist naturalism, which led to the late naturalist literature at Waseda University.
Kim Hwan’s art theory also aimed at realizing the “beauty of nature” by closely contacting nature through the impression or emotion or mood of the subject, not through non-subjective object description. And Kim Hwan did not prioritize between truth and beauty, defining this study of natural beauty as art.
However, his art theory did not receive much attention of the time due to the changes in the times. Nevertheless, Kim Hwan’s art theory was the first art theory in Korea to discuss art in the same position as the study, and was a wasse at the timeIt is significant in art history in that the art theory developed around literature was magnetized into art theory.
While reviewing the Japanese art school, this article attempts to examine his art theory by comparing it with Shimamura Hogetsu(1871~1918)’s impressionist art theory. Kim Hwan’s art theory resonates deeply with Shimamura’s post-naturalism or impressionist naturalism, which led to the late naturalist literature at Waseda University.
Kim Hwan’s art theory also aimed at realizing the “beauty of nature” by closely contacting nature through the impression or emotion or mood of the subject, not through non-subjective object description. And Kim Hwan did not prioritize between truth and beauty, defining this study of natural beauty as art.
However, his art theory did not receive much attention of the time due to the changes in the times. Nevertheless, Kim Hwan’s art theory was the first art theory in Korea to discuss art in the same position as the study, and was a wasse at the timeIt is significant in art history in that the art theory developed around literature was magnetized into art theory.
목차
Ⅰ. 머리말
Ⅱ. 김환의 생애와 일본미술학교
Ⅲ. ‘자연의 미’를 추구하는 인상주의 미술론
Ⅳ. 맺음말
참고문헌
ABSTRACT
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