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커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This study examined the characteristics of the secondary frame of the movie 〈Parasite〉 with the narrative. Its characteristics and implications can be largely summarized in two ways.
First, in addition to simple visual emphasis in the main dramatic situation of the movie, secondary frames were used as a tool for visual devices and expressions that strengthened narratives by creating emphasis and implication effects in narrative contexts. The active use of this secondary frame means that it has been repeatedly used as a visual symbol to strengthen the delivery of meaning and messages hidden behind the important core events of the movie 〈Parasite〉.
Second, it can be said that the expression style of the movie Parasite has a strong tendency in the "expressionistic mise-en-scene" style based on the pictorial formability of the short image. This characteristic means that at the organizational level of the frame, the secondary frame corresponding to the screen composition area created another space in space and was used as a material to shape the director"s intention to direct and message in an implicit and implicit manner. In the end, the secondary frame visually serves as a double boundary, and narrative plays a role in video language that maximizes the audience"s emotional experience of dramatic events while making narratives and their meanings dense and solid through movie forms such as stories in the story.
First, in addition to simple visual emphasis in the main dramatic situation of the movie, secondary frames were used as a tool for visual devices and expressions that strengthened narratives by creating emphasis and implication effects in narrative contexts. The active use of this secondary frame means that it has been repeatedly used as a visual symbol to strengthen the delivery of meaning and messages hidden behind the important core events of the movie 〈Parasite〉.
Second, it can be said that the expression style of the movie Parasite has a strong tendency in the "expressionistic mise-en-scene" style based on the pictorial formability of the short image. This characteristic means that at the organizational level of the frame, the secondary frame corresponding to the screen composition area created another space in space and was used as a material to shape the director"s intention to direct and message in an implicit and implicit manner. In the end, the secondary frame visually serves as a double boundary, and narrative plays a role in video language that maximizes the audience"s emotional experience of dramatic events while making narratives and their meanings dense and solid through movie forms such as stories in the story.
목차
Ⅰ. 서론
Ⅱ. 본론
Ⅲ. 결론
참고 문헌
Abstract
참고문헌 (16)
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