지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Until very recently, studies on the seventeenth-century English poetry had been largely shaped by T. S. Eliot's criticism of the metaphysical poets and by the reading strategies of the New Critics. New explorations of power, gender, ideology in the Renaissance, however, have not only provided radically new understandings of Renaissance texts but have also forced us to reexamine the critical, historical, and cultural presuppositions on which our readings are based.The aim of this paper is to explore the politics of desire in Songs and Sonnets through the re-reading of Donne. In a sense, all poetry is political, for texts inescapably reflect on society. Songs and Sonnets contain Donne's most complicated exploration of love and embrace the various fields of philosophy, astronomy, law, medicine, sexology, and theology. “With the Copernican revolution in astronomical thought, there occurs a fundamental ‘displacement’ of the Earth and of the privileged position accorded humanity,” says Thomas Docherty. With the invention of the telescope and the compass, the use of the telescope relativized the phenomena of space and the mathematical compass was used to separate a realm of difference, between an outside and inside space. Donne's poems reflect this historical change and new relations of time and space which makes up the fundamental elements of human social condition and existence resulting from the Copernican revolution. His poems thus become a manifestation in writing of the revolutionary principles of the post-Copernican philosophy, so they demand re-reading from the new perspectives.
목차
등록된 정보가 없습니다.
참고문헌 (0)
참고문헌 신청이 논문의 저자 정보
최근 본 자료
댓글(0)
0