지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Sec. 17 Copyright Act provides that an author shall have the right to perform his work publicly. However, Sec. 1 Copyright Act states that the goal of the Act is to contribute to the development of culture by providing protection to copyright and by promoting fair exploitation of works of authorship. The interests of the public are secured through various limitations and exceptions set forth in Subchapter 6, Limitation of Copyright (Secs. 22 through 35). Sec. 26 provides that works may be publicly performed or broadcast for a non-profit purpose and without charging any fees to audience or without receiving any fees from elsewhere. The cases where a remuneration is paid to the person who makes such public presentation is an exception, Sec. 26(1). Commercial phonorecords may be heard or shown for a non-profit purpose and without charging the audience any fees, Sec. 26(2). In this article, I intend to review whether the Copyright Act balances the conflicting interests of an author and the public in the field of music performance.
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