지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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The acclamation for free marriage and free love was an important constituent of the process of attempting to construct the institutional emotion and family structure newly modeling the modern western romantic love. Until the late 1910s, the idea of free marriage and free love was too strongly tied with the ideology of enlightenment, thus only part of the meaning, the freedom to choose a marital partner, was stressed. Moreover, marriage was strongly tied up with the will to devote toward the nation, so choosing a marital partner was on the will to be a good people for the nation rather than on natural feeling of love. Free love started to be described in its genuine meaning from the works of Kim Tongin and his colleagues of the literary magazine "Creation", though the meaning of it was still unstable and on the way of changing. "The Sorrow of the Weak" showed the inauthenticity of the concept of free love by describing a woman`s inner inconsistence and the ordeals that happened in her life while she aspired to romantic love. Kim, the author, showed the leftovers of pre-modern ethic inside a woman of the time who was seeking modern life and revealed the abstractness of her admiration for romantic love. We can find the contradiction between pre-modern and modern love ethics and the conflict between physical and spiritual love in the protagonist`s interior. The falsehood, disorganization, and inversion of love revealed by Elizabeth while she was chasing after romantic love and modern life were not different from the falsehood, disorganization, and inversion of the idea of free love of the period itself. This reflects one of the colonial characteristics of Korean modernization that was considered as the most urgent and transcendental aim by many Korean enlighteners of the day.
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