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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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This article aims to approach Dickens's novels in the carnivalesque point of view of M. M. Bakhtin, a famous Russian theorist. So far Dickens's novels have been known as comic ones, including lots of socially critical meanings. In Dickens's novels almost everything existing in his society and distressing its members tends to be reversed with joyful and openhearted laughter. Especially in The Posthumous Papers of Pickwick Club such tendency seems to be much higher than any other novel. This is why Dickens's humor is called a carnivalesque one. In this novel Dickens criticizes or comments on the various problems in his society through the relevant heteroglossia, with which his language has an inclination to be hybridized with many social and historical meanings. By means of such hybridization Dickens can maintain the proper distance in his narration and, as Bakhtin indicated, avoid not only its pathos-charged expressions, but also unmask and destroy something false, hypocritical, greedy, limited, narrowly rationalistic, and inadequate to reality. Dickens's style enables him to comment on social problems diversifiedly, and create his language stratified by plenty of heteroglossia, as Bakhtin discusses, socio-ideological belief systems. His readers can have a critical eye for their social problems as well as enjoy interesting word play, while reading.
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