지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2021.12
- 수록면
- 143 - 173 (31page)
- DOI
- 10.29163/jmed.2021.12.34.3.143
이용수
초록· 키워드
오류제보하기
This paper explores the concept of human identity in relation to the physical presence of the body in contemporary postdramatic theatre through the lens of Heiner Müller’s Hamletmachine (Die Hamletmaschine, 1978). While many playwrights and theatre practitioners have sought unified plots and well-developed characters since Aristotle, from the twentieth century and onwards, there have been continuous attempts to break out of such a convention. One of the examples is the trend of postdramatic theatre, which pushes theatre performances beyond the bounds of scripted dramas. Hamletmachine, which has neither logically constructed plot nor clearly recognizable characters, is one of the plays that can be effectively examined in light of such a trend as an application of postdramtic theories reveals the work’s message with a magnified emphasis. In his play, Müller disturbs the traditional concept of a human as a unity of soul and body by merging multiple voices into one physical body as well as separating one being into multiple bodies. The plurality of the body and the voice on stage destabilizes the concept of a unified identity, questioning the essence of a human being; the blurred definition of humanity, which resonates with the notion of the posthuman, demolishes the idea of absolute answers and forces the audience to engage with multiple possibilities of interpretation.
목차
등록된 정보가 없습니다.
참고문헌 (0)
참고문헌 신청이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0