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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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This essay attempts to classify faction films into a number of subgenres and to analyze them from the point of view of ‘mass immersion.’ In order to increase mass immersion, a faction film must satisfy subjective expectations of spectators, while maintaining a high degree of realism or embracing the uncanny valley. Realism and subjective expectations must coincide in such a way as to make most of discrepancy effects. In flow theory, it is argued that representation of a system of reality which is familiar to the viewers can increase mass immersion, as this heightens their feeling of self-control. In other words, even for genres such as faction films, which involve the imagination, closely abiding by historical reality can help increase immersion on the part of the viewing public.
Recent releases like Ssanghwajeom/쌍화점 are great cases in point of how a faction film can jeopardize the chance of mass immersion by failing to respect the historical context or neglecting historical truth.
In this discussion of faction films, box office success and critical attention are viewed as the concrete barometers of mass immersion.
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