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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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The base of Geyyoungmuk's literature at the end of Japanese colonial era was ethical attitude to protect remained 'conscience' and restore damaged 'conscience' under national mobilization system. Geyyoungmuk(계용묵) secured his own esthetic political nature to react reality descriptively at end of Japanese colonial ear through this 'conscience-mind'. Literature had to have these esthetic political nature which was not to be subject to nationalism, and he adhered to very arduously literary viewpoint which was not to be subject to real politics. When the reality under the end of Japanese colonial era was to glorify the death for empire and was to force to art for this, he paid attention to the power of life with the art in itself and he did not give up the passion for literature to endure totalitarianism. Therefore he could endure wisely pressure and charm of national literature. As we know the analysis of literature「Moyye(묘예)｣,「Bulrocho(불로초),「Sigol Nopa(시골 노파)｣ which was suspected of cooperation for empire, he also was not free from the ruling political power of empire. However, he was not in disguise of cooperation for empire and he did not seek for the production novel at the end of Japanese colonial ear with his own unique narrative strategy and he showed exquisite critical attention for truth of colonial city modern planning. This is the preciously collected esthetic political nature of his literature at the end of Japanese colonial ear.
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